A Quote by Jonathan Kozol
I wrote the first book, and I thought people would say: 'Separate and unequal schools in the City of Boston? I didn't know that. Let's go out and fix it.'
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I don't know what started me, I just wrote poetry from the time was quite small. I guess I liked nursery rhymes and I guess I thought I could do the same thing. I wrote my first poem, my first published poem, when I was eight-and-a-half years old. It came out in The Boston Traveller and from then on, I suppose, I've been a bit of a professional.
I've run into people who say, 'I know what you're like: You're a Boston guy.' That's so weird. This person who doesn't know anything about me thinks they know a lot because of the city I grew up in, which, to me, is a meaningless label. There are all kinds of people from Boston.
I had written a book called "Boston Boy" some years ago, and that took me from the time I could speak, I guess, in Boston through the time when I finally left to come to New York. One was understanding and coping with anti-Semitism. Boston, at the time, was the most anti-Semitic city in the country. And I found out when I was an adolescent that you have to be crazy to go out after dark all by yourself; you'd get your head bashed in.
I think I did experience culture shock. When I first arrived in Boston, I was basically told to go home. "Homeboy" is what they called me - very funny. I didn't take offense. I just thought, This is exactly where I want to be. The pace was different. Houston is a sprawling city. Boston is just crammed into the size of a postage stamp.
You always want to go out there with the best book possible, so I listen to what my editors say, and even if they don't know how to fix it, I always seem to find a way. 'Trust Your Eyes' is the best book I've written, and I don't know if I can do any better.
My mother had died when I wrote my first book. I was twenty-seven, so it was right at the beginning of my writing life. I don't know if she had lived, if I would have done it, certainly not quite like I did. But, you can't rethink it. You wrote what you wrote, it meant something to other people, and that's your good.
When I was very little, say five or six, I became aware of the fact that people wrote books. Before that, I thought that God wrote books. I thought a book was a manifestation of nature, like a tree.
Most of the stats say that 90% of people who buy a book or check one out of a library would never get past the first chapter. To me, the title better say everything there is to say about the book.
When I published my first work, I thought I would never be able to go back to Lebanon. I thought they'd arrest me at the airport. I thought I would change literature as we know it. I thought I'd have men lining up at my door wanting to be my boyfriend. But later I discovered that no one read the book. Or no one cared. Right now, I have only one book translated into Arabic. Someday, maybe if the Syrian regime falls, there will be others, but probably another regime will come into power and it will employ just as much censorship.
I have degenerative bone disease and I walk with a cane. And when I wrote Six of Crows,' I went out on tour, and I met a lot of readers who would say, 'Oh, I don't know why, but I pictured Kaz as being an old man at first.' And I thought, of course you did, because the only people we see with mobility aids in media and in culture are old.
Let's concede that we have decided to let our children grow up in two separate nations, and lead two separate kinds of lives. If, on the other hand, we have the courage to rise to this challenge to name what's happening within our inner-city schools, then we also need the courage to be activist and go out and fight like hell to change it.
When I first told people I was writing a book, some would say that was interesting, but others thought it was some holiday project and I would lose interest. I think my parents thought the same thing, and they were surprised when I kept going. I'm not sure I thought I would keep going, but then it became a big part of my life.
What's funny about Jesus' Son is that I never even wrote that book, I just wrote it down. I would tell these stories and people would say, You should write these things down.
I go down the street, I say hello to everybody, a stranger or otherwise. I know that they do not know me, but I like to say hello and I think they appreciate it. I notice their faces light up with a smile and I believe that if all the people in our great city...would do that, the whole world would begin to say it is the "Friendly City." You can do a tremendous thing here. We get so absorbed, we do not always speak to our friends. Speak to them, even strangers, you are not going to give offense.
Girls are trained to say, ‘I wrote this, but it’s probably really stupid.’ Well, no, you wouldn’t write a novel if you thought it was really stupid. Men are much more comfortable going, ‘I wrote this book because I have a unique perspective that the world needs to hear.’ Girls are taught from the age of seven that if you get a compliment, you don’t go, ‘Thank you’, you go, ‘No, you’re insane.
If I were reading a book and happened to strike a wonderful passage I would close the book then and there and go for a walk. I hated the thought of coming to the end of a good book. I would tease it along, delay the inevitable as long as possible, But always, when I hit a great passage, I would stop reading immediately. Out I would go, rain, hail, snow or ice, and chew the cud.
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