A Quote by Jonathan Kozol
The last thing the theatre owners wanted was for people who spent $200 to see 'Les Miserables' to come out again and see the real miserable children of America, right there on the sidewalk.
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It's fantastic to see 'Les Miserables' become the top-grossing film at the U.K. box office.
'Les Miserables', the book, 'Les Miserables', the musical - it's about giving; it's about goodness. It's about compassion and love.
I just wanted to see every single musical I could. The very first one I saw was 'Beauty and the Beast,' the only one I could get tickets for, and then 'Les Miserables' and then 'Chicago.'
I just wanted to see every single musical I could. The very first one I saw was 'Beauty and the Beast,' the only one I could get tickets for, and then 'Les Miserables' and then 'Chicago.
I'm certainly not a Robin Hood, I'm not that way. I don't want to come through, burn everybody for $200 a ticket and then they can't afford to come see me again. Plus, I just don't think it's right. I don't think we need that much money. I just do what seems like the logical thing to do.
There are two kinds of theatre, good and bad. Much as I should like to see theatre in America, I would rather have no theatre than bad theatre. What we must strive for is perfection and come as close to it as is humanly possible.
Looking over the country with those sunken eyes as if the world out there had been altered or made suspect by what he'd seen of it elsewhere. As if he might never see it right again. Or worse did see it right at last. See it as it had always been, would forever be.
I always wanted to see what America was like. I had that curiosity in my 20s when I was working in the theatre here [ in London]... there was the mystery of LA and I wondered what happened over there. I wanted to go and check it out and I'm pleased that I have.
Les Mis' was an amazing experience, to be in the original cast of 'Les Miserables,' and 'Chitty Chitty Bang Bang' God bless it that was fantastic, at the London Palladium the biggest theatre in London the most successful show that has ever been at the London Palladium, that was fantastic.
There's something about uninterrupted singing that just doesn't work for me, because at some point, I need my characters to talk. Without meaning to offend anyone, a musical like 'Les Miserables' would be the last thing I'd ever be interested in.
I didn't know I could sing until I auditioned for 'Les Miserables.' My friend was auditioning, and I wanted to audition too.
I spent summers in my room listening to cast albums, like 'Les Miserables,' every night. I knew it backwards and forwards. I want to be the first black Jean Valjean.
One thing about America is Americans are real people. So it's like, if they see that you're real, this is real, then they're gonna relate to it.
I like it when people come to see me again, but you end up playing to that person only. You know there's other people out there, but you also know that the person who came to see you again is there. You're like, "I hope he's happy again."
I auditioned for the part of Cosette in 'Les Miserables' on Broadway. It didn't work out.
I think in London - and I don't wanna offend anybody in America, but this is a real statement - they still have the right approach to making music. In the U.S., people see it as a way to make money; they see it as a means to get out. It's a hustle, which is great - any way you can provide for your family that's legal is fantastic.
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