A Quote by Jonathan Larson

His achievements read like the graffiti on the walls of a hangman's changing room. — © Jonathan Larson
His achievements read like the graffiti on the walls of a hangman's changing room.
Many people decorate their homes with designer graffiti, even though most of them would probably have real graffiti scoured off the walls of their buildings.
All the work I did was to challenge politics, culture, and women's rights. I felt like I really wanted to break out. That's why I wanted to use graffiti. It's more open. I don't need people to come to an exhibition. Graffiti gives a voice to the walls.
Graffiti is linear, and it's done with a pencil, and it's like writing on walls.
Graffiti is linear and it's done with a pencil, and it's like writing on walls. But in my paintings it's more lyrical.
When we used to walk to school, I used to read off the walls, graffiti and stuff, everything. I used to write stories, but I'd never finish them. I wrote poems.
Bus stops are far more interesting and useful places to have art than in museums. Graffiti has more chance of meaning something or changing stuff than anything indoors. Graffiti has been used to start revolutions, stop wars, and generally is the voice of people who aren't listened to. Graffiti is one of those few tools you have if you have almost nothing. And even if you don't come up with a picture to cure world poverty you can make somebody smile while they're having a piss.
Traditional graffiti writers have a bunch of rules they like to stick to, and good luck to them, but I didn't become a graffiti artist so I could have somebody else tell me what to do. If you're the type who gets sentimental about people scribbling over your stuff, I suggest graffiti is probably not the right hobby for you.
Graffiti is art, but you don't see graffiti in the National Gallery. Graffiti is on the street - that's where it belongs.
When I did 'Racing Demon' by David Hare, I worked with Paul Giamatti, who had stacks of books in his dressing room. I was offstage a lot, so I would go read in his room. He was reading a four-part series on the Byzantine Empire by Alexander A. Vasiliev. I read two of those during the run of the play.
I did an art show for Donald Trump at his house in Palm Beach, Florida. It was a bunch of pop art and stuff like that, so I wasn't doing any graffiti at that time, so I'd say from about 2000 to 2006, I wasn't doing any graffiti.
Graffiti is usually a protest - ink on walls - or has a reason for being naughty or aggressive.
It's the warm-up in the changing room when I switch on. I don't even think about the fight until then. Some fighters are bouncing about the walls, but I switch off. Then it's like someone flicks a switch in me.
Inspiration,' the false artist says,'it just comes to me.' And it shows.His pictures are as like as the four walls of his room -- morning, evening, midnight, noon. For myself, I have to search for it. The whole world is your palate, but only if you reach, take hold of what you need and pocket it.
When we do not know a person - and also when we do - we have to judge his size by the size and nature of his achievements, as compared with the achievements of others in his special line of business - there is no other way.
I'm not really interested in clothes. Mainly, I like wearing clothes that don't make me stand out - I tend to go for Marks & Spencer and Gap - and I do get put in the changing room at Gap, and clothes are passed to me under the changing room door.
If you have white walls, human beings look better in a room than if you have red walls.
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