A Quote by Jonathan Lethem

Artists freeze themselves into these weird postures that are meant to be impressive and involving, then they fling them out into the world like Polaroids, and then they move on. And I'm stuck in this intense relationship to the Polaroid.
I love Polaroids and I have a Polaroid camera collection from the '50s.
There's certain artists that are meant to have certain paths and go the way of the corporate world. And then there are artists who are artists.
I think being an artist is having the courage to be original. Many great artists, including Picasso, have all been influenced by the great master paintings... And then finally, they leap, they take off... they become themselves. Then it looks like they just came out of nowhere. Just like 'Pow!'
I'm obsessed with beards. First of all, beards make you look like more of an animal. Second, I kind of like biting beards; it's a pastime of mine. And when I make out with a dude who has a beard - who are the only kinds of dudes I make out with - then my glitter gets stuck in their beards, and then no other chick will make out with them for at least three days.
As an educator, I try to get people to be fundamentally curious and to question ideas that they might have or that are shared by others. In that state of mind, they have earned a kind of inoculation against the fuzzy thinking of these weird ideas floating around out there. So rather than correct the weird ideas, I would rather them to know how to think in the first place. Then they can correct the weird idea themselves.
We are not meant to stay wounded. We are supposed to move through our tragedies and challenges and to help each other move through the many painful episodes of our lives. By remaining stuck in the power of our wounds, we block our own transformation. We overlook the greater gifts inherent in our wounds - the strength to overcome them and the lessons that we are meant to receive through them. Wounds are the means through which we enter the hearts of other people. They are meant to teach us to become compassionate and wise.
I can remember a case where Capablanca worked out an impressive combination, but then chose to make a simple move in answer to which his opponent resigned at once!
The usual method of creation for most human beings is a three-step process involving thought, word, and deed or action. First comes thought; the formative idea; the initial concept. Then comes the word. Most thoughts ultimately form themselves into words, which are often then written or spoken. This gives added energy to the thought, pushing it out into the world, where it can be noticed by others. Finally, in some cases words are put into action, and you have what you call a result; a physical world manifestation of what all started with a thought.
Women always left me because I wouldn't commit, but then nothing changes a relationship like commitment. If you move in with someone, you lose all respect for them.
The costume world - whether it be movies, television or drag - and the fashion world have this weird, ugly stepsister, love/hate relationship. I'm somewhere stuck in the middle of it, and it's so much fun.
It doesn't make sense for me to try to be, like, a dance dude who only releases two 12-inches a year and then plays every weekend. Making an album, you get to put out a body of work that shows a lot of different sides of you. And you get to work on it for an intense period of time and promote that album. And then you get to move on.
Before I think we was emcees, we was more or less narrators too. Because if you look at the early '80s hip hop, it was so much creativity goin' on with artists like then, like Slick Rick, then you had Rakim, and you had these different kind of artists back then. And we was a marble cake of all these artists. So I didn't have a problem with writin' stories because I felt like that was somethin' I loved to do. Even to this day, I really consider myself an entertainer-slash-narrator. I like to talk about stuff that goes on.
When you finally end something like Superman and then find yourself world-famous, it's pretty weird, lemme tell ya. Fame is weird, is what it really is. It's the weirdest thing in the world.
You know something has really stuck in Tim's head when he's drawn what the character looks like. Weird Girl and Elsa actually switched places, at one point. I may be mis-remembering it, but the original design for Weird Girl was actually Elsa, but then it became Winona Ryder's character, and the new Weird Girl was just fantastic with those giant wide eyes.
It's weird: making a movie is like life compacted into three months. You have these very intense relationships with people, and you talk to them every day - your editor, the casting people, music people, your actors - then it ends. It's like a circus life.
Sometimes you meet someone, and they seem great, they seem exactly what you're thinking of for the role, and then you put a camera on them, and they freeze. And other people come to life with the camera on them. I haven't discovered any reliable predictor for that; I think you just have to try it and see what happens. And, you know, sometimes the people who freeze, if you find the right magic word to say to them, you can unlock them.
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