A Quote by Jonathan Lethem

My heart, to put it more simply, got nostalgic for the present. Always a bad sign. — © Jonathan Lethem
My heart, to put it more simply, got nostalgic for the present. Always a bad sign.
The more I started going through my own things in life, my faith got put to the test, and I had to believe that God is real in my heart, my lord and savior Jesus Christ, and I can't run from that. I'll always put that in my music or it just wouldn't be right. People can take it or leave it, I really don't care, because it's for me to put it on records. And I will continue to put more of a spiritual nature in my music.
When politicians and politically minded people pay too much attention to literature, it is a bad sign - a bad sign mostly for literature. But it is also a bad sign when they don't want to hear the word mentioned.
I like the present. I'm always interested in new ideas, and what's happening. I'm not nostalgic.
Poets, on the face of it, have either got to be easier or to write their own notes; readers have either got to take more trouble over reading or cease to regard notes as pretentious and a sign of bad poetry
I've not got a bad word to say about City. If they want you and sign you, then they have got intent for you.
You can be very much aware that when you are stressed, it always is a sign you have lost the present moment. So, you can choose to re-enter the present moment.
I started finishing 'Nostalgic' while trying to graduate at the same time. I graduated from high school, got my diploma, and my life just started when I completed 'Nostalgic 64.'
It's not always that easy to distinguish the good guys from the bad guys. Sinners can surprise you. And the same is true for saints.Why do we try to define people as simply good or simply evil? Because no one wants to admit that compassion and cruelty can live side by side in one heart. And that anyone is capable of anything.
Am I nostalgic for film? … I mean, it’s had a good run, hasn’t it? You know, I’m not nostalgic for a technology. I’m nostalgic for the kind of films that used to be made that aren’t being made now.
The turnings of life seldon show a sign-post; or rather, though the sign is always there, it is usually placed some distance back, like the notices that give warning of a bad hill or a level railway-crossing.
The present moment is always full of infinite treasure. It contains far more than you can possibly grasp. Faith is the measure of its riches: what you find in the present moment is according to the measure of your faith. Love also is the measure: the more the heart loves, the more it rejoices in what God provides. The will of God presents itself at each moment like an immense ocean that the desire of your heart cannot empty; yet you will drink from that ocean according to your faith and love.
One of the grotesqueries of present-day American life is the amount of reasoning that goes into displaying the wisdom secreted in bad movies while proving that modern art is meaningless. They have put into practice the notion that a bad art work cleverly interpreted according to some obscure Method is more rewarding than a masterpiece wrapped in silence.
A sign is always less than the thing it points to, and a symbol is always more than we can understand at first sight. Therefore we stop at the sign but go on to the goal it indicates; but we remain with the symbol because it promises more than it reveals.
As a driver, you've always got to believe in your heart that you've got what it takes to win it. You've always got to believe in yourself. You've always got to arrive on the day and believe it can happen. You've always got to believe in the positives.
While technically I did not commit a crime, an impeachable offense... these are legalisms, as far as the handling of this matter is concerned; it was so botched up, I made so many bad judgments. The worst ones, mistakes of the heart, rather than the head. But let me say, a man in that top job - he's got to have a heart, but his head must always rule his heart.
We must put up with our clothes as they are - they have their reason for existing. They are on us to expose us - to advertise what we wear them to conceal. They are a sign; a sign of insincerity; a sign of suppressed vanity; a pretense that we desire gorgeous colors and the graces of harmony and form; and we put them on to propagate that lie and back it up.
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