A Quote by Jonathan Lethem

I suppose in a way most of my characters are non-consumers, not terribly interested in all the little baubles and artifacts of contemporary life. — © Jonathan Lethem
I suppose in a way most of my characters are non-consumers, not terribly interested in all the little baubles and artifacts of contemporary life.
Voice isn't fixed or unmalleable, it adapts to the characters you are creating and the story being told. I suppose in some way that's true in life - a little flexibility goes a long way.
To my way of thinking, whether it's a superhero movie or a romance or a comedy or whatever, the most important thing is you've got to care about the characters. You've got to understand the characters and you've got to be interested. If the characters are interesting, you're half-way home.
I'm personally not terribly interested in designing wholesome characters, so I don't have many variations to offer.
For most of the movies that I've done, we've shot in a contemporary house, in contemporary clothes, speaking in a contemporary way. So, I really enjoy that. It really helps.
I suppose I flee to life. I'm most interested when conversations become difficult.
You've probably heard about the theory of steam-engine time - that even after the steam engine had been invented, it had to wait until people were ready to make use of it. The same thing happens in literary circles. The truth is, I'm not terribly interested in Victorian times; I'm interested in Victorian writers. I'm interested in most eras of history, but not the Victorian Era especially. I was interested in the John Franklin Expedition. I was interested in these last five weird years of Dickens' life. And I just have to take the age that comes with all that when I write about it.
Most of my stories, if not all of them, have some basis in real life. That's the kind of fiction I'm most interested in. I suppose that's one reason I don't have much respect for fiction that seems to be game playing.
Buildings for me represent opportunities of agency, transformation, and storytelling. They are not just artifacts. There is this big tradition of buildings-as-artifacts - constructed artifacts - but for me they are these incredible sites of negotiation.
Leibniz endeavored to provide an account of inference and judgment involving the mechanical play of symbols and very little else. The checklists that result are the first of humanity's intellectual artifacts. They express, they explain, and so they ratify a power of the mind. And, of course, they are artifacts in the process of becoming algorithms.
I'm interested in gay characters - not trying to sensationalize gay characters, just [representing] who are in my personal life. I'm interested in exploring my world and my friends, and a lot of them happen to be gay.
The characters I tend to play are a little more interesting than the standard heroes. Romantic leads can be a little more straightforward, I guess. But it just seems to be the parts I get, I don't know what that says about me. I enjoy interesting characters and interesting people, I suppose.
I suppose I am interested in the variety of human life - how people live. I am most interested in individuals and how they respond to challenges or to difficulties or just to each other. I am curious about people.
I suppose my look, the way I play - you combine all that sort of stuff and that makes people interested in what I actually do. So then, when off-the-field stuff happens... I suppose it's one of those cocktail mixes.
I'm trying to discover - invent, I suppose - an architecture, and forms of urban planning, that do something of the same thing in a contemporary way. I started out trying to create buildings that would sparkle like isolated jewels; now I want them to connect, to form a new kind of landscape, to flow together with contemporary cities and the lives of their peoples.
I'm not interested in current events per se, but I am interested in how certain aspects of social or public life that might seem ultra-contemporary actually take their place in a long American continuum.
From the little reading I had done I had observed that the men who were most in life, who were molding life, who were life itself, ate little, slept little, owned little or nothing. They had no illusions about duty, or the perpetuation of their kith and kin, or the preservation of the State. They were interested in truth and in truth alone. They recognized only one kind of activity - creation.
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