A Quote by Jonathan Lethem
I got into underground comics fairly early on and kind of wandered away from the superhero stuff, but I was an art student and I was drawing a lot as a kid.
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I started drawing comics, and at first I was very influenced by the whole pop art movement, you know, Batman was on TV and all that pop art stuff? But then my next influence was in 1966, or maybe it was '65, I don't know. Somebody showed me a copy of the "East Village Other", which was an underground newspaper. And... it had comics in it! And they weren't superhero comics.
I quit comics because I got completely sick of it. I was drawing comics all the time and didn't have the time or energy to do anything else. That got to me in the end. I never made enough money from comics to be able to take a break and do something else. Now I just can't stand comics. . . . I wish my work would be recognized by a larger crowd of people as more art than be stuck with the cartoonist label for the rest of my life.
I got taught a lot of great lessons by superhero comics as a kid about virtue and self-sacrifice and responsibility. And those were an important part of imprinting my DNA with ethical and moral values.
I was always most interested in drawing - most of my childhood drawings are black-and-white line work. And when I kind of abandoned comics, through college and art school, I was doing a lot of painting. But once I started doing comics again, everything else just fell by the wayside.
I’ve always thought that if comics are a part of pop culture [then] they should reflect pop culture, but a lot of the time comics, superhero comics especially, just feed on themselves. For me, comics should take from every bit of pop culture that they can; they’ve got the same DNA as music and film and TV and fashion and all of these things.
Writing comics and drawing comics is a really very specific art form. It's a lot easier to get it wrong than it is to get it right.
I didn't really get into underground comics, though I've liked some of what I've seen. Dame Darcy was very impressive to meet, really talented. In general, I've always been more interested in searching out music, so I think I miss out on a lot of underground art.
I saw a lot of lousy movies and watched a ton of crappy television and read a bunch of utterly forgettable books and comics and listened to hours of junk music as a kid. And I'm still drawing profitably in my own art on some of the tawdry treasure I stored up in those years.
I said no to a lot of superhero stuff. I never expected to say yes to that kind of stuff.
There's a Marvel superhero called Black Bolt & his real name is Blackagar Boltagon & that really tells you a lot about superhero comics.
When I was a school kid I used to read lots of comics. This started me on drawing, I would make my own comics about my teddy bear whose name happened to be Ted.
When I was a school kid, I used to read lots of comics. This started me on drawing. I would make my own comics about my teddy bear, whose name happened to be Ted.
I was a strange child. I was the kid with funny hair listening to dodgy music [...] I'd come in with my hoodie and skate-shoes, with purple hair under the hood. I got away with it because I spent all my time in the art room, so they figured I was 'artistic'. I was that kind of kid, listening to Green Day and the Deftones and all that kind of thing.
A lot of superhero stuff now looks great but it's so difficult to read if you don't know how to read comics. I deliberately focus on the story.
I am new to superhero comics, though growing up I read Archie comics, religiously. I've been doing a lot of catching up, reading what's out there and it's been wonderful to see what's going on in contemporary comics.
I guess my journey with comics began with stuff like Spider-Man and Batman. I started off with mainstream superhero stuff, which I've never abandoned.
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