A Quote by Jonathan Lethem
I try not to become too regular an addict of any one subculture.
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Any of us are capable of doing things we're not proud of under the wrong kind of stresses. Anyone can become a drug addict if you let yourself do it and, once you become a drug addict, you'll do whatever you have to to get the drugs. Absolutely, anybody can do it.
My view of addiction, whether it's drugs, food, alcohol or any list of other things, is the same reason I asked my mother why I wasn't a drug addict or alcoholic, which is because when you're not loved, often people become an addict and self destructive. Now the opposite of love is indifference and even worse is rejection and abuse, and I meet those people.
If you come from money and you become an addict, you go to the Betty Ford Clinic, you get treatment. If you're living on the street and you're an addict, it's much harder to find your way out.
I got a little bit of a sense for the subculture, which is the equivalent of any subculture, really. The stakes are high, even if you live in a small town. It's like the annual bass fishing contests, or whatever it is. The stakes are always absurdly high, and this is no different. The competition at this butter carving things, from what I understand, is not that far off from what we're depicting in the movie.
An addict is an addict. If they're not acting out in one area, it tends to come out in another. I think there was a time when I considered myself a work addict, but that's no longer accurate.
And when you try too hard, it doesn't work. Try grabbing something quickly and precisely with a tensed-up arm; then relax and try it again. Try doing something with a tense mind. The surest way to become Tense, Awkward, and Confused is to develop a mind that tries too hard-one that thinks too much.
John Coltrane was an addict; Billie Holiday was an addict; Eugene O'Neill was an addict. What would America be without addicts and post-addicts who make such grand contributions to our society?
I don't have any complex plans for playing a character. I think all I try to do is not make too many bad guy faces and not ever try to seem too good. I just try to put it in the middle somewhere.
I try to be regimented and try to stay healthy and work out and eat properly and go to sleep. And not get too caught up in the industry in my regular life, so I can save all my expression and energy for my art.
Even when I become a regular, I don't feel comfortable and try to always improve more.
His embrace was my drug of choice, and as any addict knew, one sampling was way too many and a thousand never enough.
It doesn't have the ability to think rationally this economic model. It thinks like a drug addict: 'Where can I get my next fix?' It doesn't learn wisely. Any kind of measure of natural wisdom would be: you make a mistake, you correct it the next time around. But a drug addict feels terrible... and then says: 'I want more'. Unfortunately we have an economic model that thinks like a crack addict.
Unless we love natural goods - sex, alcohol, food, money, success, power - in the way God intended, we become their slaves, as any addict can attest.
In New York, you've got Donald Trump, Woody Allen, a crack addict and a regular Joe, and they're all on the same subway car.
In order to describe a particular subculture, you might want to portray people who are typical or representative of that subculture; but to dramatize it, to make it an interesting setting for a story, you want to bring someone anomalous into that setting, to see how she conforms to it, and it to her.
Nobody wants to worship you if you have the same problems, the same bad breath and messy hair and hangnails, as a regular person. You have to be everything regular people aren’t. Where they fail, you have to go all the way. Be what people are too afraid to be. Become whom they admire. People shopping for a messiah want quality. Nobody is going to follow a loser. When it comes to choosing a savior, they won't settle for just a human being.
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