A Quote by Jonathan Lethem
I'd have been a filmmaker or a cartoonist or something else which extended from the visual arts into the making of narratives if I hadn't been able to shift into fiction.
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My fiction has been influenced by the visual arts, though not in obvious ways, it seems to me. I don't offer tremendous amounts of visual information in my work.
I've always been a fiction filmmaker and I've been heading in the direction of fiction filmmaking, doing documentaries along the way.
Art is a funny thing. It's a communicative medium. It really is, and it works outside of literature, the movies, stage, it has its own realm. It's like when you say "The Arts," those are all the arts, dance, theater, ballet. So within that set of areas of expression, we have visual art and it is visual and it's about looking at something and seeing it in the light with our eyes, maybe touching it or not touching it, or wanting to touch it, not being able to touch it.
Of the times that I've been able to overcome a fear, it's been by making it something that I can understand, that I can hold on to - just something that's more tangible.
We've been fighting our whole lives to say we're just human beings like everyone else. When we start separating ourselves in our work, that doesn't help the cause. I've heard it for years: 'How do you feel being a black filmmaker?' I'm not a black filmmaker, I'm a filmmaker. I'm a black man, I have black children. But I'm just a filmmaker.
If cathedrals had been universities If dungeons of the Inquisition had been laboratories If Christians had believed in character instead of creed If they had taken from the bible only that which is GOOD and thrown away the wicked and absurd If temple domes had been observatories If priests had been philosophers If missionaries had taught useful arts instead of bible lore If astrology had been astronomy If the black arts had been chemistry If superstition had been science If religion had been humanity The world then would be a heaven filled with love, and liberty and joy
I've always been involved in the visual arts and music.
I've been doing visual stuff for as long as I've been making records; in fact, for longer.
When I teach classes at the School of Visual Arts,, I'll ask the students, 'How many of you have been to a museum this year?' Nobody raises their hand and I go into a tirade. If you want to do something sharp and innovative, you have to know what went on before.
Ever since I can remember, I drew, and visual arts have been my main way to express myself. I like dancing, although I've never done that very seriously. It's something I'd like to explore more.
I have been interested in visual arts since high school and, after realising that I had absolutely no interest in the economics degree I had undertaken at ANU, I started a BFA in Sydney which I completed at VCA in Melbourne.
In the visual arts, for example, the semiological approach to graphics provides a rigorous analysis of the visual means used by the artist. It defines the basic properties and laws governing the arts and suggests objective criteria for art criticism.
My brother and I have been able to get on and have been very lucky to do things with our family that other people wouldn't have been able to do. But then again, we've also been able to live a normal life as well.
I've never been able to relate to apathy. I've always been doing stuff, been in action, making music or working just to get by.
I've always been a fan of science fiction films, and I've never been able to put my particular spin on it.
My interactions with musicians have been simply that: interactions with musicians. Issues of gender, or anything else beyond the music-making, have in my experience played no role in whether or not a musician has been able to articulate my intentions as a composer.
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