A Quote by Jonathan Majors

I use the transition of the airport, the flying from one place to another to really let go of the -isms, and the ideas that I have as an individual and kind of adapt and begin to morph.
Chekhov said: let's put God - and all these grand progressive ideas - to one side. Let's begin with man; let's be kind and attentive to the individual man - whether he's a bishop, a peasant, an industrial magnate, a convict in the Sakhalin Islands, or a waiter in a restaurant. Let's begin with respect, compassion, and love for the individual - or we'll never get anywhere.
As I became more interested in behavior from the standpoint of neurobiology, the stress-response became really interesting. What stress physiology is about is - when there is a new environmental challenge, how does an individual adapt? It seemed like a natural transition.
I wanted to go to a place where I could think, really sink into my own imagination, or ride it, or drift along it, as in a balloon. The kind of place that probably all writers crave. The kind of place where the outside world is still and quiet and you get a chance to listen, to peer, to go inward
My high-school coach Tony Reginelli was kind of famous for 'Reggie-isms,' kind of like 'Yogi-isms.' He always said if you want to be a good quarterback, when sprinting left you want to be amphibious and throw left-handed. I told him, 'You mean ambidextrous, coach?'
Buddhism, I think, is probably facing the single most difficult transition from one historical epoch to another, which is really the transition to modernity.
I was interested in aerospace and flying, and the U.S. is really the best place in the world for flying.
I've never played in Vegas. I've only been to the airport, but even the airport was exciting. Just flying in, looking out the window, you feel the pull of it, like it's some evil force pulling you in, like Mordor.
I learned early on as a baby-face you had adapt to their style. Ravishing Rick Rude had his own style and his own way with a little bit of some Ric Flair-isms. But I always learned to adapt myself.
I sell ideas. Actually, if you think about it, everything is really no more than idea. The past is nothing more than a memory, which is one kind of idea. The future is still a hope, another kind of idea. The present is fleeting and becomes a memory before you can put your hands on it. All ideas. I sell ideas.
I've always been the type of guy that wants to change, adapt and morph from year to year.
So I live in Los Angeles, and it's kind of a goofy place. They have an airport named after John Wayne. That ought to explain it. It has a charming kind of superstitious innocence.
Most organisms either adapt and become part of the system, or get wiped out. The only thing we have to adapt to the system with is our brain. If we don't use it, and we don't adapt fast enough, we won't survive.
Some girls love to go to the airport and have 50 paparazzi on them. I go to the airport and have a mental breakdown.
Cities need old buildings so badly it is probably impossible for vigorous streets and districts to grow without them.... for really new ideas of any kind--no matter how ultimately profitable or otherwise successful some of them might prove to be--there is no leeway for such chancy trial, error and experimentation in the high-overhead economy of new construction. Old ideas can sometimes use new buildings. New ideas must use old buildings.
In the space age, man will be able to go around the world in two hours - one hour for flying and one hour to get to the airport.
I get so much energy and I learn so much through collaborating with other people. Ultimately, I think the best music will always be created through collaborations - pooling together skills to create something bigger than any individual. I like to use my own SOPHIE material to present ideas in their most extreme, un-compromised form. I really use those opportunities to express exactly where I'm at in terms of production and writing ideas, as a document of my thoughts and feelings, as well.
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