A Quote by Jonathan McReynolds
I pray that when people hear my music, they say at the very least 'man I'm glad that someone else feels that way too.'
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The music I always liked as a kid was stuff I could bum out to and realize, 'Hey, someone else feels that way, too.' So if someone can do that with my music, it's mission accomplished.
It all changed when I realized I'm not the only one on the planet who's scared. Everyone else is, too. I started asking people, Are you scared, too? You bet your sweet life I am. Aha, so that's the way it is for you, too. We were all in the same boat. That's probably what is so effective at our workshops. When I ask, Who else feels like this? the whole room of hands goes up. People realize they are not the only one who feels that way.
I want to be successful and I want people to hear the music and I want to make money at it, but if it isn't what you do, eventually it seems like that will cause you to not be able to do what you do. If you did that for a couple years, you would just become someone else, which is fine, I guess...but I don't want to become someone else. I want to do what I enjoy and what feels right.
It's very difficult to speak to a large group of people these days and not offend someone. I know people walk around with their feelings on their shoulders waiting for you to say something - ahh - did you hear that? And they can't hear anything else you say. The PC police are out in force at all times.
I like playing at public schools. I like when there's more of a diverse audience. I'll play wherever people want to hear my music, and I'll be glad and grateful for the opportunity, but I'd rather not play for a bunch of white privileged kids. I'm not meaning that in a disrespectful way; you go where people want to hear your music. So if that's where people want to hear me play, I'm glad to play for them. But I'd rather play for an audience where half of them were not into it than one where all of them were pretending to be into it, for fear of being uncultured.
I decided very early on that it took too much of my energy to pretend to be someone else. People will make up their minds about me whatever I do or say, but at least I know I am being true to myself.
Some people say homosexuality is a sin. It’s not. God is perfectly cool with it, God feels the exact same way about homosexuality that God feels about heterosexuality. Now you might say, ‘Whoa, slow down. You move too fast. How could you have the audacity, the temerity, to speak on behalf of God?’ Exactly, that’s an excellent point and I pray that you remember it.
I think whatever you believe in affects whatever you express, whatever you create. It shapes your morality in some way. But I don't think that's something that you have to shove down people's throats. I'd rather keep it in the background, and I'd rather people came to the music in an unprejudiced way. I'm glad, in a sense, that most people don't know about me, what I do, much. I'd rather they hear the music, and then say, "I wonder what kind of person created this."
I'm not someone who feels the pressure of someone else's expectations. That's a very young way to feel.
There's a part of me which has always wanted to hear a man say, "Let me take care of you forever," and I have never heard it spoken before. Over the last few years, I'd given up looking for that person, learned how to say this heartening sentence to myself, especially in times of fear. But to hear it from someone else now, from someone who is speaking sincerely.
All I know about music is that not many people ever really hear it. And even then, on the rare occasions when something opens within, and the music enters, what we mainly hear, or hear corroborated, are personal, private, vanishing evocations. But the man who creates the music is hearing something else, is dealing with the roar rising from the void and imposing order on it as it hits the air. What is evoked in him, then, is of another order, more terrible because it has no words, and triumphant, too, for that same reason. And his triumph, when he triumphs, is ours.
To say prayers in a decent, delicate way is not heavy work. But to pray really, to pray till hell feels the ponderous stroke, to pray till the iron gates of difficulty are opened, till the mountains of obstacles are removed, till the mists are exhaled and the clouds are lifted, and the sunshine of a cloudless day brightens-this is hard work, but it is God's work, and man's best labor.
I get to do my own thing with music. I get to write the songs and sing the songs. As an actor, you have to do what someone else tells you to do and say someone else's words. And you're limited by the way you look and music is just more rewarding creatively for me.
I just want people to hear the music the way it's suppose to sound, the way we meant for them to hear it. You sit in the studio all this time and make the music, tweak it, try to get it perfect. They should be able to hear it that way.
My faith plays a big part in my life. And when I was answering that question what I was really saying to the person was that I pray a lot. And I do. And my faith is a very, it's very personal. I pray for strength. I pray for wisdom. I pray for our troops in harm's way. I pray for my family. I pray for my little girls.
To hear that you're doing something that other people are enjoying, it's a fun game. It's like hitting a tennis ball over the net, and somebody hits it back. That's what it feels like with the fans. It feels like someone else is participating in my creation, and it's quite incredible.
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