A Quote by Jonathan Meades

I think that cheap music often does make you dream more than more serious music, whether that's serious music by Beethoven or Miles Davis or Pink Floyd... if the Floyd ever did serious music, which I seriously doubt.
I got into music by happenchance and luck and wearing a t-shirt with "I hate Pink Floyd" on it. The irony has never failed to amuse me ever since because I didn't hate Pink Floyd at all! And yet you have an entire range of people out there believing that the best thing you can do in life is to hate Pink Floyd. Come on, It's because it's the world I live in!
I take inspiration from so many places. I think, more than anything, it would have to be the music made by others that I've then fallen in love with, whether it's Madonna, Blood Orange, Fleetwood Mac, or Pink Floyd!
To me, music is not a stunt. Music is not a joke. I take every lick of music that I've ever played very serious.
I have never acknowledged the difference between serious music and light music. There is only good music and bad music.
It really really sunk into me when I went to Europe and they take rap so much more serious than we do here. That was the first time I ever heard rap considered folk music. And sometimes somebody will make you understand like, "Hey, what you doin' is serious, don't play it lightly 'cause it's changin' my life."
I love music, I make films with music, I eat with music, I sleep with music, I think with music. Music makes me dream, it strengthens my creativity.
I love music, I make films with music, I eat with music, I sleep with music, I think with music. Music makes me dream; it strengthens my creativity.
I believe in knowing all you can about the music and the people who made the music. I think it's much more important to know some good Miles Davis stories than to know how to play like Miles. I think you'll play better if you know some of the funny things he did than if you know the licks that he played.
Dance music is about having a good time, and a lot of dance music is very serious now. When progressive house and progressive tech came along, it was kind of serious, but it's all context as well.
There is something about performing my own music, and other people's music, that gives me pleasure. I think I learn more by doing that than I ever did studying music.
I like to keep morale up and not take things so seriously all the time. I enjoy life and laughs but I'm serious about the music. Serious about the craft of songwriting.
There are so many people out there who think they are fans of Pink Floyd - and certainly the work I did in Pink Floyd - who are still furious that I left.
We are fans of Mozart and Beethoven, as well 'South Park' and Borat. We believe that we can attract many people who eschew the serious ambiance of concert halls and don't go to classical music concerts because of such reasons. However, there is a 'serious humor' on the stage: funny and ridiculous. That is important!
My reading of serious books about serious music is seriously compromised by the way that I can't understand any musical theory. Any mentions of D major or C minor are meaningless to me.
I played Woodstock in '69, and it really changed my life. Without a doubt, it was the single event that really changed the way I felt about music. Up to that point, I hadn't really thought of myself as more serious musician, and I didn't really have that much interest in pop music.
The art of music is so deep and profound that to approach it very seriously only is not enough. One must approach music with a serious rigor and, at the same time, with a great, affectionate joy.
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