A Quote by Jonathan Messinger
The impulse to tell the truth was not as great as the fear of being left off the page.
Related Quotes
As a child I was taught that to tell the truth was often painful. As an adult I have learned that not to tell the truth is more painful, and that the fear of telling the truth - whatever the truth may be - that fear is the most painful sensation of a moral life.
So you go away from where you were afraid. Some stay; some go; it's a big difference, leaving the humiliations of childhood, the morbid fear. We didn't have much to say to each other, the ones that left and the ones that stayed. Children get shamed by fear but you can't tell the adults that; they don't care. They make children into dead things like they are. If there's something left alive in you, you run. You run from the poor little child on her knees; fear burned the skin off all right; she's still on her knees, dead and raw and tender.
The impulse to write the poem, that impulse is a great dramatic impulse. But hell, anybody could write a play. I do know this: all writers are not dramatists. You may be a great writer, but that doesn't necessarily mean you're a dramatist. Very few people have done both.
Our world is utterly saturated with fear. We fear being attacked by religious extremists, both foreign and domestic. We fear the loss of political rights, a loss of privacy, or a loss of freedom. We fear being injured, robbed or attacked, being judged by others, or neglected, or left unloved.
The real impulse of most books is to tell a story to keep the reader lashed to the page. I don't get why that's a proper use of an adult's time.
Fear is at the root of so many of the barriers that women face. Fear of not being liked. Fear of making the wrong choice. Fear of drawing negative attention. Fear of overreaching. Fear of being judged. Fear of failure. And the holy trinity of fear: the fear of being a bad mother/wife/daughter.
Young actors, fear your admirers! Learn in time, from your first steps, to hear, understand and love the cruel truth about yourselves. Find out who can tell you that truth and talk of your art only with those who can tell you the truth.
The impression left after watching the motions of birds is that of extreme mobility - a life of perpetual impulse checked only by fear.
I'm competing with everyone, but it's okay because they're not aware. I can't shut that impulse off. And I'm glad, because that impulse keeps me on the treadmill. If I didn't have it, I would be like, "Great! Ten minutes! I'm good." But if I'm competing, I can see what level someone's on and I can top it.
There is so many good ideas that are left on the shelf of people going, 'I've kind of great idea, but I just - I'm afraid.' Out of fear. Fear blocks all of that it's a false fear.
We'll tell fear it can come along with us in our minivan, okay? But we'll just tell fear it can't drive. Sometimes we'll tell it to not even talk. Like when we tell our kids, 'Enough. No words.' We're going to play the quiet game with fear. Fear is not the boss of us.
Five Truths
about
Fear Truth
1. The fear
will never
go away as
long as I continue
to grow. Truth 2. The only way to get rid of the fear of doing something is to go out and do it. Truth 3. The only way to feel better about myself is to go out… and do it. Truth 4. Not only am I going to experience fear whenever I’m on unfamiliar territory, but so is everyone else. Truth 5. Pushing through fear is less frightening than living with the underlying fear that comes from a feeling of helplessness.
Yes, the fear of its blankness. At the same time, I kind of loved it. Mallarmé was trying to make the page a blank page. But if you're going to make the page a blank page, it's not just the absence of something, it has to become something else. It has to be material, it has to be this thing. I wanted to turn a page into a thing.
Being afraid to tell the truth because of the projected consequences, whatever it may be, shows a lack of faith and an abundance of fear.
When I was writing the memoir, every page was a battle with myself because I knew I had to tell the truth. That's what the memoir form demands. I also had to figure out how much of the truth do I tell, how do I make the truth as balanced as I possibly can? How do I make these people as complicated and as human and as unique and as multifaceted as I possibly can? For me, that was the way I attempted to counteract some of that criticism.
Failure is the foundation of truth. It teaches us what isn't true, and that is a great beginning. To fear failure is to fear the possibility of truth.
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