A Quote by Jonathan Miller

Argumentative exhibitions bring issues to life in a way that very much irritates traditional curators who want to see their pictures valued for themselves. — © Jonathan Miller
Argumentative exhibitions bring issues to life in a way that very much irritates traditional curators who want to see their pictures valued for themselves.
I don't often go to curator or artist walk-throughs of exhibitions. For a critic, it feels like cheating. I want to see shows with my own eyes, making my own mistakes, viewing exhibitions the way most of their audience sees them.
The pictures present an improvised view of life as normal. Life is shown as we think we see it but in fact never do. The pictures imitate life to find a way out.
We are to have no pictures which the puritan and the narrow, animated by an obsolete dogma, cannot approve of. We are to have no theaters no motion pictures, no books, no public exhibitions of any kind, no speech even which will anyway contravene his limited view of life.
Modern man receives a large part of his knowledge and general education by way of pictorial impressions, illustrations, photographs, films. Daily newspapers bring more pictures from year to year. In addition, the advertising business operates with optical signals as well as representations. Exhibitions and museums are indeed offspring of this visual hustle.
We want as best as possible to encourage emerging talent and galleries by their inclusion on Paddle8. Our exhibitions help bring interesting new works on the platform. We have to be agnostic in that respect and the galleries themselves have complete carte blanche as far as what they include on the site.
While the space for artists and curators has increased enormously, maybe, just maybe, that's left room for too many people calling themselves artists and curators who are simply not up to the term.
The Zionists are very much, very adventuresome, very much seeking to fabricate things, and I think they see themselves at the end of the line, and I do firmly believe that they seek to create new opportunities for themselves and their adventurous behaviors.
Works of art often last forever, or nearly so. But exhibitions themselves, especially gallery exhibitions, are like flowers; they bloom and then they die, then exist only as memories, or pressed in magazines and books.
TV depends very much on the pictures that you see on your television, and all the other things that come up on the screen, whether it be GFX, the studio or the pictures of the game.
The very paradigm of revolution, of right versus wrong, good versus bad, is a relic with no bearing on the present. Yet artists, exhibitions, and curators valorize the sixties. People who wrote about these artists 30 years ago still write about them in the same ways, often for the same magazines.
I want very much to see some sort of compromise reached in the area of immigration... so that we could move on to other issues.
I want to use film to tell stories that need to be told to spark discussions that will lead to change. I really want to see a change in the mindset of youth, how they see themselves and how they value life. Young audiences will be able to see themselves in this film and older audiences will gain an understanding of what their kids are dealing with on a daily basis. Kids discuss what they see on TV, social media, film so I want to create content that they will discuss and will change the way they think.
Literally, FX is like, 'How can we foster your vision?' My vision is pretty much taking pictures of the way I see my life.
I hope to bring much more attention to important issues and change for issues and practices that are harming animals.
I've noticed women my age and a little younger, anywhere from 35 to 50, saying, 'Who would want to bring kids into a world like this?' Or, 'I don't want to spend my life that way. I want to do my artwork.' And they're very unapologetically stating this.
You can't always do that which you can do in your sleep. That doesn't fulfill an artist. You're looking for places where you can grow, in some way, whether it's a large way or a small way. I want to grow as an artist, as a person and as a woman. I want to enjoy myself and my life and the company that I'm keeping. I want to bring something to the table that's different than anything else would bring, but that has its place and value, and then keep moving.
This site uses cookies to ensure you get the best experience. More info...
Got it!