A Quote by Jonathan Pryce

Actors, when they're older, still get a chance to let off steam or something and work things off on stage. — © Jonathan Pryce
Actors, when they're older, still get a chance to let off steam or something and work things off on stage.
A lot of the time, you see all this ambition from these black actors, and it's just pouring off the screen. Because they don't often get a chance to work, and when they do, they don't usually get a chance to work with other black people.
Boxing is the best job in the world to let off steam, and people are in trouble when Tyson wants to let off steam
If you've as many films as I have, and missed as many opportunities as I have to do good work and been pissed off about it, you say, "Well, now you've got to start getting it right." If you get a chance, you really want to cook. And the tragedy is, when you finally feel that way about yourself, about your work, nobody wants to give you a chance. And that happens to a lot of actors. But I'm feeling very wanted these days, so there must be something in the air.
While there are so many great things in my life, you get older, and you have responsibilities. And things happen, like my dad dying - things that are tough to shake off. And there are things I'm still trying to figure out.
What I do on stage, you won't catch me doing off stage. I mean, I think deep down I'm still kind of, like, timid and modest about a lot of things. But on stage, I release all that; I let it go.
I thought my first few jobs would just be off, off, off, off, off broadway. And by chance and how the world works, I ended up on a TV show instead.
The first thing you do when you get off tour is let off some steam and, you know, have some type of big breakdown.
Mama, I know you used to ride the bus. Riding the bus, and it’s hot and bumpy and crowded and too noisy, and more than anything else in the world, you wanna get off. And the only reason in the world you don’t get off is it’s still fifty blocks from where you’re going. Well, I can get off right now if I want to. Because even if I ride fifty more years and get off then, it’s still the same place when I step down to it. Whenever I feel like it, I can get off. Whenever I’ve had enough, it’s my stop. I’ve had enough.
The art of an actress is sublimated sexuality. But off the stage the fire must be able to reconvert the steam into body.
In the U.K. and Ireland, crowd-work is a big thing. It shows you how funny someone would be if you met them off-stage. Americans don't care if you're funny off-stage. They want to see the writing; they want to see the work you did.
I have a sixth sense for casting. I just have to see and talk to the actors. I never make tests. I like to work with crowds. I like to get the principals in a crowd. When they do, something else comes off, something special.
Now, I want to explain something to you guys. I don't have an ending joke, because I don't tell jokes. I tell real-life stories and make them funny. So, I'm not like the average comedian. They have an ending joke; they always holler Peace! I'm out of here, and walk off stage. So, basically, when I get through performing on stage, I just walk off.
People have to understand how important it is for the players to let off steam, switch off and relax.
The talking shows allow me to come out of my cave and that's why those shows go on for so long. I hate walking off stage. Sometimes I walk off and I miss them as I'm walking off the stage. I wonder if they'll let me go another hour. That's why I do it: to communicate, to get points across.
Scientists who study play, in animals and humans alike, are developing a consensus view that play is something more than a way for restless kids to work off steam; more than a way for chubby kids to burn off calories; more than a frivolous luxury.
Woman" in the abstract is young, and, we assume, charming. As they get older they pass off the stage, somehow, into private ownership mostly, or out of it altogether.
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