A Quote by Jonathan Pryce
It was very amusing to do 'GI Joe: Retaliation' scenes with Bruce Willis, who spends months rewriting his dialogue and then turns up and doesn't say it. Part of the time, he doesn't say anything, but mumbles and mutters.
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Die Hard With A Vengeance shooting was a great time, because we had an interesting script. The first script was called Simon Says, and something was going on, because some days we'd get to work, but we wouldn't actually have dialogue. We would go to Bruce's Willis trailer, and they'd say, "Okay, you have to go from 168th Street to 97th Street today. We're going to do it in the cab, and Sam, you say this. Bruce, what do you want to say?" And that's how Bruce's "hey, Zeus!" thing came up.
I do get starstruck working with Bruce because even though he is such a nice guy he's a real movie star. I grew up watching his movies it is just really hard to get used to just being around Bruce Willis. I mean, he's Bruce Willis!
[On the Barbie doll:] Her values, while somewhat Yuppified, are not so bad. Look at GI Joe. His only wardrobe is fatigues, he spends all his time trying to kill people, or getting his own innards splashed across the landscape. His big hobby is death.
Bruce Willis is Bruce Willis in every single movie I've seen him in, except 'Death Becomes Her' and 'Mortal Thoughts,' which is another movie he was in that was very different from what he normally does.
Working with Bruce Willis makes my career authentic. I may not get an Oscar, but I worked with Bruce Willis. That matters more to me.
Surprisingly I've never really stolen anything. One time when I was really young, I was walking down the street, found a GI Joe in the mud, and took it home and I was like, "I got a GI Joe!" And then my great grandmother was like, "You stole that." I said, "What are you talking about?" and she said, "That's not yours." I'm like, "But I found it!" She's like, "But it's not yours, and therefore you stole it." So I just went and put it right back in the mud where I found it.
Marcelo Garcia is one of those fighters who trains with no-gi, and is also great with gi. When you train with no-gi you actually get better with gi too. I am spending all the time on no-gi, so it becomes a different animal.
If I go and buy a coffee, and somebody asks me what I do, I'll say, 'I find asteroids.' And the first thing they always do is make a Bruce Willis joke, or they are going to bring up Armageddon.
An actor cannot say no, it’s against his job. If he wants the part he has to say yes. [But] it’s very bad for you to say you can do something and then not do it, so you have to manage to do it.
Rewriting isn't just about dialogue, it's the order of the scenes, how you finish a scene, how you get into a scene. All these final decisions are best made when you're there, watching. It's really enjoyable, but you've got to be there at the director's invitation. You can't just barge in and say, "I'm the writer."
I was too young to understand who Sam[uel L.] Jackson was or who Bruce Willis was, who Jeremy Irons was at the time. All I knew was that they were good to me then.
Every time the tour guide told a story, he would build it up to the point where he'd say, "And there was Bloody Joe, and his young ghost son walked into the room." He would build it up, and then it was just "the ghost walked into the room." And he would say, "Let's move on," and that would be it. It's like, wait, what happened to the bloody ghost? That's it? We knew he was making some of it up.
We got together, and Bruce Willis was just a sweet animal, a sweetheart. I tell you, right down to the core he's just a real professional, a real gentleman, and I must say I'm so very happy for him that he's got a heck of a good film.
My name is growing all the time, and I’ve lived a very long, long time; so my name is like a story. Real names tell you the story of the things they belong to in my language, in the Old Entish as you might say. It is a lovely language, but it takes a very long time to say anything in it, because we do not say anything in it, unless it is worth taking a long time to say, and to listen to.
A boy spends his time finding a girl to sleep with. A real man spends his time looking for the one worth waking up to.
I remember sitting in his office a hundred times during those grim months and each time thinking, What on earth can he say that will make me feel better or keep me alive? Well, there never was anything he could say, that's the funny thing. It was all the stupid, desperately optimistic, condescending things he didn't say that kept me alive; all the compassion and wamrth I felt from him that could not have been said; all the intelligence, competence, and time he put into it; and his granite belief that mine was a life worth living.
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