A Quote by Jonathan Pryce

When the arts are taken out of the syllabus, people are not going to know what it's like to value the theater. — © Jonathan Pryce
When the arts are taken out of the syllabus, people are not going to know what it's like to value the theater.
There's the inherent value of the arts in terms of what that does for the quality of life and culture. The arts - in my case theater, play-writing - is all about community.
I don't know why people always compare me [ with Amiri Baraka] I was never part of the Black Arts Repertory Theater or the Black Arts Movement; people who claim that I was are wrong. I was downtown. I was living in Chelsea when they were operating in Harlem.
The people who fund the arts, provide the arts, and research the arts have all produced a consensus about the value of what they do, which hardly anyone challenges. But do the numbers add up? For all the claims made about the arts, how accurate are they?
I majored in drama and theater arts at Columbia and was always in acting studio, but that was a liberal arts degree, not a bachelor of arts degree, so I didn't have a traditional conservatory training. There was a lot of reading and a lot of writing involved, and only about 30 percent of my classes were directly theater-related.
When you start out on a career in the arts you have no idea what you are doing. This is great. People who know what they are doing know the rules, and know what is possible and impossible. You do not. And you should not. The rules on what is possible and impossible in the arts were made by people who had not tested the bounds of the possible by going beyond them. And you can. If you don't know it's impossible it's easier to do. And because nobody's done it before, they haven't made up rules to stop anyone doing that again, yet.
Crummy pictures, live appearances, circuses, avant garde theater, dinner theater. I've done it all. I've been shot out of cannons. I know what the people want. I'm out there with the people.
I am always going to be in the hood in my heart, but what I did was added on the masters of arts, fine arts and the doctorate... if you want me to pull that out, I can get very distinguished... but I'm not going there... I don't have to put on airs; the knowledge comes out - just listen.
People ought to be going over this, finding things they don't like. Congress has clearly proved they can act in a hurry. If there's something wrong with it, it can be amended. If something needs to be kicked in, it can be put in. If something needs to be taken out, it can be taken out.
When I got out of school, it used to be that it was theater actors that ended up doing film and television, and you had to come from the theater to be taken seriously in that world.
People never regret when they come out of a movie and they've been crying. I think people need it. That's why people have the theater and live music, which is dwindling as well. I think people like to go see things and have an emotional, transcendent, universal human experience, but so often we're like, "Let's go watch Green Lantern," which we all know is just not going to do anything for our souls.
Processionalism is primary - how you get from one place to another, the relationships and effects of spaces as you move about in them. That's worked out awfully well in the State Theater. I'm a 'straight-in' man myself; I'm too nervous, I like to know where I am. I also like to know where I'm going.
Like all magic cultures expressed by appropriate hieroglyphs, the true theater has its shadows too, and, of all languages and all arts, the theater is the only one left whose shadows have shattered their limitations.
Intrinsic value can be defined simply: It is the discounted value of the cash that can be taken out of a business during its remaining life.
I'd taken some classes at UCB in New York and again at the Magnet Theater and the PIT Theater. I definitely never advanced to where I was on a team or anything like that.
I think, in this country, we have a problem where we view the arts as charity, and therefore, it has no value. Things in America that have value are profitable, and unless you are profitable, we don't know where to put you.
The Olympic gold was like going to a theater and seeing a movie that had the ending you expected. But you left the theater thinking, 'You know, that was a good movie.'
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