A Quote by Jonathan Raban
Living in cities is an art, and we need the vocabulary of art, of style, to describe the peculiar relationship between man and material that exists in the continual creative play of urban living. The city as we imagine it, then, soft city of illusion, myth, aspiration, and nightmare, is as real, maybe more real, than the hard city one can locate on maps in statistics, in monographs on urban sociology and demography and architecture.
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The city is a fact in nature, like a cave, a run of mackerel or an ant-heap. But it is also a conscious work of art, and it holds within its communal framework many simpler and more personal forms of art. Mind takes form in the city; and in turn, urban forms condition mind.
We would like to have a great future, so we need to think about the urban philosophy, the urban problems, and the construction of the city. That's the new politics, maybe.
A shan-shui city is a modern city, a high-density urban situation, but we pay more attention to the environment. We bring waterfalls; we bring in a lot of trees and gardens. We treat architecture as a landscape.
We were talking about urban youth. And by urban I mean lives in a city not urban as in black like white people use it.
Cities originally surrounded by a wall can produce an urban population cut off from the surrounding fields and from agriculture altogether. At the same time, the greenbelt laws eliminate the possibility of the unchecked expansion of a city into a monstrous megalopolis. If there is a need for additional homes, a new city must be established.
A city can only be reconstructed in the form of urban quarters. A large or a small city can only be reorganized as a large or a small number of urban quarters; as a federation of autonomous quarters. Each quarter must have its own center, periphery and limit. Each quarter must be a city within a city.
The right to the city is far more than the individual liberty to access urban resources: it is a right to change ourselves by changing the city.
When people condemn me for designing iconic buildings in cities and not having an idea what a city is, they haven't done their homework. I started in urban design and city planning. It's just that when I got out of school there wasn't much of a market for that. There still isn't.
We need this city to actually live up to its name-The City of Angels. We need to spread our wings. We need to show that we are more than red carpets, we are more than Hollywood, that we are a city ourselves of open arms. We are a city of generosity and compassion.
Cities must urge urban planners and architects to reinforce pedestrianism as an integrated city policy to develop lively, safe, sustainable and healthy cities. It is equally urgent to strengthen the social function of city space as a meeting place that contributes toward the aims of social sustainability and an open and democratic society.
Urbanization is not about simply increasing the number of urban residents or expanding the area of cities. More importantly, it's about a complete change from rural to urban style in terms of industry structure, employment, living environment and social security.
I always had a kind of strange relationship with New York City, with total love affair in the beginning then retreat during the kind of conservatives of politics and real estate and business came, and then I am again kind of fighting for the justice to the city, to open the city for the artists.
So here's my advice to city planners. Make your city runnable. Runners are the first wave of troops bringing human activity back to the urban core of any city. Where we go, others will follow. The connection between runnability and livability is so clear (at least to me), that it's surprising that new developments consistently leave pathways out of the plans.
I really liked Glasgow. I really liked living there for a year. It's a very fun city, and it has a lot to offer young people who are interested in music and art. It's a very creative city.
To approach a city, or even a city neighborhood, as if it were a larger architectural problem, capable of being given order by converting it into a disciplined work of art, is to make the mistake of attempting to substitute art for life. The results of such profound confusion between art and life are neither life nor art. They are taxidermy.
The city is better because the city has an economy of needs and once you're talking about a city, maybe you can start talking about how you manage the climate of that city as a whole. Not by putting a dome over it but by more passive means that can potentially be put together in creative ways.
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