A Quote by Jonathan Raban

I've taught the better class of tourist both to see and not to see; to lift their eyes above and beyond the inessentials, and thrill to our western Nature in her majesty. — © Jonathan Raban
I've taught the better class of tourist both to see and not to see; to lift their eyes above and beyond the inessentials, and thrill to our western Nature in her majesty.
Everyone who has eyes to see can see that if the God of Abraham exists, He is an utter psychopath--and the God of Nature too. If you can't see these things just by looking, you have simply closed your eyes to the realities of our world.
A picture without sky has no glory. This present, unless we see gleaming beyond it the eternal calm of the heavens, above the tossing tree tops with withering leaves, and the smoky chimneys, is a poor thing for our eyes to gaze at, or our hearts to love, or our hands to toil on.
We see many sides of her, beyond the 'Ballad of Mulan.' We see her as a human being, as a girl, as a young woman. Everybody admires her as a warrior but is there a fragile side to her? Will she sometimes hesitate or be afraid, but still choose to carry on? Yes, and we see that.
A good photograph will prove to the viewer how little our eyes permit us to see. Most people, really, don’t see-see only what they have always seen and what they expect to see-where a photographer, if he’s good, will see everything. And better if he sees things he doesn’t expect to see.
There is nothing so charming as the knowledge of literature; of that branch of literature, I mean, which enables us to discover the infinity of things, the immensity of Nature, the heavens, the earth, and the seas; this is that branch which has taught us religion, moderation, magnanimity, and that has rescued the soul from obscurity; to make her see all things above and below, first and last, and between both; it is this that furnishes us wherewith to live well and happily, and guides us to pass our lives without displeasure and without offence.
Sydney, I'm so happy to see you again. If there's anything I can do for you, please let me know. And you must be Neil." "Your majesty." Neil swept her a bow so low that his forehead touched the ground. Above him, Adrian rolled his eyes. "Easy there, Lancelot," Adrian said. "I don't think bowing is required when she's in jeans and bunny slippers.
The eyes that see the soul are different from the eyes that see the self. We see soul when we are in the mystery. We see self when we are in the events. The coach must have eyes for both.
My sisters and I stand, arms around each other, laughind and wiping the tears from each others eyes. The flash of the Polaroid goes off and my family hands me the snapshot. My sisters and I watch quietly together, eager to see what develops. Ghe grey-greensurface changes to the bright colors of our three images, sharpening and deepening all at once. And although we don't speak, I know we all see it: Together we look like our mother. Her same eyes, her same mouth, open in suprise to see, her long-cherished wish.
This is my letter to the world, that never wrote to me, the simple news that nature told, with tender majesty. Her message is committed, to hands I cannot see; for love of her, sweet countrymen, judge tenderly of me.
Tears are nature's lotion for the eyes. The eyes see better for being washed by them.
Spiritual vision requires that what we see with the eyes of our hearts will be more real to us than what we see with our natural eyes. We must see what is invisible to others.
The tree which moves some to tears of joy is in the eyes of others only a green thing that stands in the way. Some see nature all ridicule and deformity... and some scarce see nature at all. But to the eyes of the man of imagination, nature is imagination itself.
Seeing her this last time, I threw myself on her body. And she opened her eyes slowly. I was not scared. I knew she could see me and what she had finally done. So i shut her eyes with my fingers and told her with my heart: I cah see the truth, too. I am strong, too.
In America, aren't we all supposed to see beyond class, see beyond ethnicity? Are all these lines drawn to set us apart and lock us into groups?
The danger is that you can wind up doing tourist pictures. I want to see it fresh and see the little bits of everyday life that a native might take for granted, but that are special to the place, while at the same time, not taking a picture that would be a tourist cliché.
I've wanted to see beyond the Western, mechanical view of the world and see what else might appear when the lens was changed.
This site uses cookies to ensure you get the best experience. More info...
Got it!