A Quote by Jonathan Rado

It's amazing to hear proficient musicians play your music. It's a once in a lifetime kind of experience. — © Jonathan Rado
It's amazing to hear proficient musicians play your music. It's a once in a lifetime kind of experience.
I saw so many amazing musicians struggling to build something good. They would play and play... and play some more, but it seemed like there was something missing. I wanted to go someplace higher myself, and go there with the people who come to hear me play. So I began to envision events with their own gravity, that would pull a community of people together for a meaningful experience.
The kind of music or the kind of arrangements that I do, the kind of musicians I choose, is just what I like to hear.
it's important as a composer to sit in silence and imagine these complex musical worlds in your head, but it's also a wonderful experience to touch your music and to hear it and hear it in the room with you and to say, you can't have an entire orchestra there, but you'd kind of like to have the orchestra there.
We're deaf men working as musicians; we play the music but we can't hear it.
I would advise all young musicians to not only experience and play chamber music, but to go to operas, speak to the singers, to explore and expand your horizons.
I think a lot of musicians play for the playback. I mean, that's the joy of recording - you want to hear what you've done and what you've contributed - but never listening to that playback kind of removes the intellectual part of making music, and it removes the tendency to be revisionist.
I'd rather call it "instrumental creative music," especially the music that I've been doing. If a person would hear that music, they would undoubtedly call it "jazz." There is this whole generation of musicians that are playing and thinking critically for themselves and making music that's relevant to today. I hope that's the objective of a lot of musicians.
All of my fans know I love to travel and learn about new cultures... We'll absorb all of the history and I'll personally have a once in a lifetime opportunity to perform my new music while we cruise the Sea of Galilee together. This is going to be an amazing experience that I get to share with true fans. This is going to be an unforgettable trip!
In chamber music, the audience can hear each instrument and understand (and feel) what the composer and the musicians have in mind as they play.
I think The Undertaker is, much like Brock Lesnar, a once-in-a-lifetime wrestler, a once-in-a-lifetime athlete, and a once-in-a-lifetime performer.
With the exception of maybe Vegas or Miami once or twice, other than that, it's all the same to me. I can't hear anything in the club with the loud music, so you're in there, and you're like, 'I can't hear you because of the loud music.' I hate that, yelling back and forth. And I don't drink, so it's kind of pointless.
I like playing at public schools. I like when there's more of a diverse audience. I'll play wherever people want to hear my music, and I'll be glad and grateful for the opportunity, but I'd rather not play for a bunch of white privileged kids. I'm not meaning that in a disrespectful way; you go where people want to hear your music. So if that's where people want to hear me play, I'm glad to play for them. But I'd rather play for an audience where half of them were not into it than one where all of them were pretending to be into it, for fear of being uncultured.
Some musicians make and record music; other musicians play in a band... I just make and record music, and I don't feel a part of anything in any music business.
Out of doing all that experimentation with sound I decided I wanted to do it with live musicians. To take repetition, take music fragments and make it live. Musicians would be able to play it and create this kind of abstract fabric of sound.
Once you're in a particular country, and you're surrounded by musicians who are so adept at traditional music, you suddenly realize how much there is to explore and digest and learn and experience.
Music is a spiritual thing, you don't play with music. If you play with music you will die young. You see, because when the higher forces give you the gift of music...musicians hip, it must be well used for the gift of humanity.
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