A Quote by Jonathan Raymond
I grew up with very little religious training. Actually, like, none. I think what Jewishness I felt as a kid stemmed almost entirely from this atrocity in our family tree.
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I was aware of it, but I grew up in a very a-religious family. My mother never went to church, she never had any religious training or background. It was never a part of our social interaction.
My mom is actually a former prima ballerina, and all the women in my family are associated either with dance or choreography or acting, so I'm very lucky in a way because I grew up in a family of artists. I've been dancing since I was a little kid.
I was a farm kid from the plains of South Venezuela, from a very poor family. I grew up in a palm tree house with an earthen floor.
I grew up in a very religious household. My mom was a church organist. I was a religious kid.
I think I have femininity, I have masculinity, but I get to use all of Jeffrey, and that's very powerful. And this is what I always thought when I went down in my little basement in San Francisco, where I grew up, and daydreamed about being an actor: It felt like this. This is what it felt like.
If you don't connect yourself to your family and to the world in some fashion, through your job or whatever it is you do, you feel like you're disappearing, you feel like you're fading away, you know? I felt like that for a very very long time. Growing up, I felt like that a lot. I was just invisible; an invisible person. I think that feeling, wherever it appears, and I grew up around people who felt that way, it's an enormous source of pain; the struggle to make yourself felt and visible. To have some impact, and to create meaning for yourself, and for the people you come in touch with.
If organizations like Westboro were universally bad, they wouldn't exist. There had to be some draw, and at Westboro, there was a lot of draw. The church was almost entirely made up of my extended family, and everyone in the church felt like family.
I grew up in a somewhat religious family. My dad's family isn't religious at all, but my mom's side of the family is, so I was exposed to church a bit.
I remember I grew up in a poor family and we had almost nothing and we were not treated very well by our family. There was no safe haven for us. But somehow we always managed to be happy.
It's an ironic thing about being an immigrant kid, growing up - 'cause I grew up in the UK and went to a British boarding school and we would go to chapel every Sunday morning. And we'd actually have religious studies and religious studies means Christian studies where you study the Bible.
I was an introverted kid; I liked my time alone. And the rest of my family is pretty extroverted, so I felt like a bit of an oddball. They're very gregarious and charming and charismatic people. I always felt like I was struggling as a young person. I think everyone was very surprised to hear that I wanted to be an actor.
I grew up in a family in which there was very little religion. My father wasn't religious at all. But he was really interested in the subject of, you know, the birth and growth of Islam. And he basically transmitted that interest to me.
Early on, I played a Chinese delivery person, and even that, which was very innocuous, felt like I was somehow betraying myself. I felt very self-conscious on set doing that role, with a crew that was almost entirely white.
I grew up in a family that my father was a very, very, a person with so many ideas, so many new visions and dreams. For me to grow up in that family, that also helped me to have a vision to create and open boundaries and things. So I think it's like, it just comes from the family.
I have a great deal of religious symbolism in my stories because I have a very deep sense of religion and also I have a religious training. And I suppose you don't say, `I'm going to have the flowering judas tree stand for betrayal,' but of course it does.
I wrote my first screenplay on a lark, because it was a storytelling format that felt like a familiar shorthand - we all watch movies, don't we? But even though I grew up in Los Angeles, my family was entirely unconnected with the movie industry, and I never truly believed that it would one day be my fate.
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