A Quote by Jonathan Safran Foer

Sometimes I can hear my bones straining under the weight of all the lives I'm not living. — © Jonathan Safran Foer
Sometimes I can hear my bones straining under the weight of all the lives I'm not living.
Sometimes I can feel my bones straining under the weight of all the lives I'm not living.
You know how sometimes you hear a chord played on an organ and you can feel it vibrating in your bones? Sometimes when I'm writing, I can feel my bones vibrating because I'll have a thought or I'll have a character's voice in my head, and that's when I know I'm on the right track.
My working method has more often than not involved the subtraction of weight. I have tried to remove weight, sometimes from people, sometimes from heavenly bodies, sometimes from cities; above all I have tried to remove weight from the structure of stories and from language. . . . Maybe I was only then becoming aware of the weight, the inertia, the opacity of the world--qualities that stick to the writing from the start, unless one finds some way of evading them.
There are the stars--doing their old, old crisscross journeys in the sky. Scholars haven't settled the matter yet, but they seem to think there are no living beings out there. Just chalk... or fire. Only this one is straining away, straining away all the time to make something of itself. Strain's so bad that every sixteen hours everybody lies down and gets a rest.
It is only the fools who keep straining at high C all their lives.
Sometimes you even start to sound like the character because you're living and breathing them every day on the set. It gets into your bones.
In this world, everything has a pulse or a vibration. This sound is unique to each living or non-living thing and in itself creates a music that no-one can hear. I believe that this has a very powerful resonance with, and a deep effect on, our lives.
I have tried to remove weight, sometimes from people, sometimes from heavenly bodies, sometimes from cities; above all I have tried to remove weight from the structure of stories and from language.
Sometimes I prefer when I can hear other people conduct my music so I can sit out and actually hear it. When you are in the middle of it, sometimes it's a little bit hard to hear and get the whole effect.
Sometimes you even start to sound like the character, because you're living and breathing them every day on the set. It gets into your bones, it becomes a part of you.
Reinforced concrete buildings are by nature skeletal buildings. No noodles nor armoured turrets. A construction of girders that carry the weight, and walls that carry no weight. That is to say, buildings consisting of skin and bones.
I was 85 lbs. at my 2000 homecoming dance. But I wanted my collarbones and hip bones to show more. I'd feel my hip bones to make sure they were out. If not, I had more weight to lose. I lost my period until I was 17. I loved that. It meant I wasn't healthy, and I didn't want to be healthy.
Sometimes at night, when I wake up real late, I can hear my dad talking to God. He whispers, but I still hear him. I even hear him crying sometimes, when God says something sad.
Sometimes I do yoga, sometimes it's kickboxing, sometimes it's weight training, sometimes it's Pilates.
I have incredibly sensitive hearing. I often hear people talking about me. Sometimes it's amazing and sometimes you hear gossip you'd rather not.
If this was The Lord of the Rings and I had a smart British voice like Cate Blanchett, I could tell you the background of the events of that fall in a really suspenseful way. And you’d be straining to hear the rest.
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