A Quote by Jonathan Safran Foer
I like to see people reunited, I like to see people run to each other, I like the kissing and the crying, I like the impatience, the stories that the mouth can't tell fast enough, the ears that aren't big enough, the eyes that can't take in all of the change, I like the hugging, the bringing together, the end of missing someone.
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Well, besides being entertained, I’d like to move them emotionally. I mean I really want to uplift them. I want to look down at the audience, and this is personal experiences now I’m going to tell you. It’s like you look down at the audience and see people smiling, crying, hugging each other. I want them on their way home to feel empowered like they can do anything.
I think, in storytelling, people want to see triumph, and so it's usually nice to start with failure and see someone somehow rise above it. People like to see people try. And they like to see people fail for comedy, and they like to see people succeed for the drama and emotion.
I'm always looking for a nexus, where you can put all these diverse people together, see how they respond to one another, see what they learn about each other, and what they like and don't like.
I watch mainly fiction. The films I like watching are films where you see people change, like with Boyhood. You see a moment in someone's life where it's a breakthrough. For me, the breakthrough in Boyhood is that amazing moment right at the end when he finds somebody he can feel relaxed with, and who will maybe be a friend for the rest of his life. I like that it doesn't end in a love affair or marriage. It just ends in, "Wow, I found people I can relate to for the first people in my life. These people accept me, I like them."
When a man and a woman see each other and like each other they ought to come together - wham - like a couple of taxis on Broadway, not sit around analyzing each other like two specimens in a bottle.
Human beings are complicated and flawed and unique, but we all have a story to tell. Gone are the days where our lead characters can only look like somebody else. Heroes look like all of us. We see ourselves in each others' stories. We see who we are. We see who we want to be. Sometimes we see who we don't want to be. And through that we have a greater understanding of ourselves and acceptance of each other.
I see people like me, who thought someone like me couldn't be in politics, now are saying, 'Oh, wait, I don't need to take money from corporations to run. Maybe I'll run, too.'
I think that if you're really going to snog someone and it's going to be a perfect snog, it's got to be between two people that really like each other, rather than someone you think is fit and you snog for the sake of it. That normally turns out not to be a good snog. But if you have two people that really like each other, then fair enough. Really, it's a little mix of kissing, a bit of lips, maybe some biting, and then a bit of tongue and stuff. It depends on what kinky little minx you've gone for on the night.
I wasn't like other boys. At any rate, I wasn't like my three elder brothers: they excelled at football and they were like other boys, going up to bed each night hugging annuals filled with stories about the glories of Pele and Danny McGrain.
There are stories I'd like to tell, I'd like to see, and they're not getting made. These stories are beyond the experience of the people in power. They don't understand it, so they're frightened of it.
(...)I don't know who I am. I look like Stephen Herondale, and I act like a Lightwood and I talk like my father- like Valentine. So I see myself in your eyes and i try to be that person and I think faith might be enough to make me who you wnat me to be." (Jace, to Clary)
You see people you identify with, and you take pieces of people you like and shape who you are. Like, I sound just like my dad. But that's literally my vocal chords. I can't sound like anything else... I sound like him, but I act like myself.
I really started to feel like I was negative weight on other people around me, so I think that's why I went internal. I was sick of hearing myself complain, and I was sick of crying to other people and feeling like I was bringing other people down.
If we change in different directions, then we don't have any future anyway, do we? I think it's possible for two people to change together, to grow together and enrich instead of diminish each other. The sum of one and one, if they're the right ones, can be infinity! But so often one person drags the other down; one person wants to go up like a balloon and the other's a dead weight. I've always wondered what it would be like if both people, if a woman and a man both wanted to go up like balloons!
My sisters and I stand, arms around each other, laughind and wiping the tears from each others eyes. The flash of the Polaroid goes off and my family hands me the snapshot. My sisters and I watch quietly together, eager to see what develops. Ghe grey-greensurface changes to the bright colors of our three images, sharpening and deepening all at once. And although we don't speak, I know we all see it: Together we look like our mother. Her same eyes, her same mouth, open in suprise to see, her long-cherished wish.
When you see someone, you automatically start putting those people together - the eyes and the lips. And what that does is that it creates an identity with that person, so when they actually start working, the audience sees exactly what you're seeing, and they become recognizable. So instant recognition is when certain women and men have features that look like other people. So baby Gisele is, like, Linda V - that's what she was called for a long time.
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