A Quote by Jonathan Safran Foer

The writing itself is no big deal. The editing, and even more than that, the self-doubt, is excruciatingly impossible. — © Jonathan Safran Foer
The writing itself is no big deal. The editing, and even more than that, the self-doubt, is excruciatingly impossible.
All three parts of filmmaking [writing, shooting, editing] contribute to rhytm. You want the script to be a tight as possible, you want the acting to be as efficient as possible on the set, and you have enough coverage to manipulate the rhythm in the editing room, and then in the editing room you want to find the quickest possible version, even if it's a leisurely paced film. I definitely in filmmaking more and more find writing and directing a means to harvest material for editing. It's all about editing.
Teaching regularly has made me an even more adept reader, I think. The kind of teaching I do is more like editing than anything else. The kind of editing book editors used to do before lunch. The kind of editing I used to do as a radio documentary maker.
I definitely in filmmaking more and more find writing and directing a means to harvest material for editing. It's all about editing.
The idea of the self interests me a great deal. What is the self? And finding yourself, and which self? In a way, we're more than one self, but you somehow try to get to a rock bottom self.
Writing itself is a dream. There are days of self doubt and deadlines and wondering how you're going to pay the bills until you write that bestseller. But it's still the best job I've ever had. I've also been able to help a lot of people and even inspire a few and that feels great.
I'm too big a fan of rhythm and editing. I'd much rather my editing be brave than my shooting.
To me I don't deal with stress well at all, and it is stressful enough for me to deal with my own one character. So if I had to deal with all the characters and the special effects, and the editing and make the writing tweaks and do everything the director does, that would drive me to an early grave, and I just can't do it.
When hard times come, the greatest danger does not necessarily lie in the circumstances we face, but rather in the way we treat ourselves at the time. Nothing is more dangerous than self-hate. Nothing makes it more difficult to heal or to find the grace of peace than self-attack and the agony of self-doubt.
I wish I could play music. I think I get as closeas possible with the editing of the films. Over the years musichas been an even more important influence than-or as important as-film.There's no doubt about it. Painting, movement, dance, sculpture-it'sall in cinema.
Literature professes to be important while at the same time considering itself an object of doubt. It confirms itself as it disparages itself. It seeks itself: this is more than it has a right to do, because literature may be one of those things which deserve to be found but not to be sought.
Writing is the perfect balance between self-confidence and self-doubt, with a bit of self-delusion thrown in.
If I could get myself in an editing room, that'd be trouble. I mean, that's how it works, you know? You leave everything on the field. I would pick apart - I do, even on the first time. More than once is just too much self-destruction. I don't need that.
I'm you and you are me. I'm a man and you're a man. When people understand the more they know Self, the real Inner Self of themselves it's the same physical structure you've got. The same things you deal with I deal with. Everything derives from the mind. What's funny is the mind is the hardest question and I guess that's why I'm always writing about it.
I have more self-doubt than any writer I've ever known.... The positive aspect of self-doubt - if you can channel it into useful activity instead of being paralyzed by it - is that by the time you reach the end of a novel, you know precisely why you made every decision in the narrative, the multiple purposes of every metaphor and image.
When I feel something very intensely or deeply or personally, I can go to extremes of self-expression or self-analysis by writing a poem - more than I can just talking to somebody or writing prose.
Ever since 'Strange Heaven,' I haven't really reread my old work. Not so much because I don't like the writer I was, or because I find flaws in the writing, but more because I get so burnt out on a novel once I've finished writing, revising, editing and copy editing it that I genuinely never want to look at it again after it's gone to press.
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