A Quote by Jonathan Safran Foer

Some make their worlds without knowing it. Their universes are just sesame seeds and three-day weekends and dial tones and skinned knees and physics and driftwood and emerald earrings and books dropped in bathtubs and holes in guitars and plastic and empathy and hardwood and heavy water and high black stockings and the history of the Vikings and brass and obsolescence and burnt hair and collapsed souffles and the impossibility of not falling in love in an art museum with the person standing next to you looking at the same painting and all the other things that just happen and are.
When I was in high school, I was in a special math class. I was infatuated with physics, particularly nuclear physics, Einstein, and the Big Bang. I read a lot about black holes. And partly because I'm so lazy I thought you could do all this just by looking at the sky and thinking up universes. It didn't seem like hard work when I was a kid, so I enrolled in this class.
I think, at the L.A. County Museum of Art, I saw my first example of Kerry James Marshall, who had a very sort of heroic, oversized painting of black men in a barbershop. But it was painted on the same level and with the same urgency that you would see in a grand-scale [Anthony] van Dyck or [Diego] Velazquez. The composition was classically informed; the painting technique was masterful. And it was something that really inspired me because, you know, these were images of young, black men in painting on the museum walls of one of the more sanctified and sacred institutions in Los Angeles.
In the real world there are many tones, from white at one extreme, through a large number of medium tones to black at the other extreme. To achieve a three-dimensional effect on paper you need just three - white, black and medium gray.
I think a good painting or a good work of art does many things it wants, I mean, maybe 15 or 20 or 100. One of the things a painting does is to make the room look better. It improves the wall that it's on. Which is much harder than it looks. And that's a good thing. And if one engages with a painting on that level, that's fine, that's great. After some time, familiarity, the other things that a painting does, the other layers, they just start to make themselves felt.
When it comes to partnership, some humans can make their lives alone - it's possible. But creatively, it's more like painting: you can't just use the same colours in every painting. It's just not an option. You can't take the same photograph every time and live with art forms with no differences.
You're like a witness. You're the one who goes to the museum and looks at the paintings. I mean the paintings are there and you're in the museum too, near and far away at the same time. I'm a painting. Rocamadour is a painting. Etienne is a painting, this room is a painting. You think that you're in the room but you're not. You're looking at the room, you're not in the room.
For some people, history is simply what your wife looks good standing in front of. It’s what’s cast in bronze, or framed in sepia tones, or acted out with wax dummies and period furniture. It takes place in glass bubbles filled with water and chunks of plastic snow; it’s stamped on souvenir pencils and summarized in reprint newspapers. History nowadays is recorded in memorabilia. If you can’t purchase a shopping bag that alludes to something, people won’t believe it ever happened.
I'm determined to disagree with people without being disagreeable. That's part of the empathy. Empathy doesn't just extend to cute little kids. You have to have empathy when you're talking to some guy who doesn't like black people.
Set the basketball on the kitchen table. Open a cupboard, get out a bottle of sesame seeds, and place a single seed beside the basketball. If you were to reduce the Earth to the size of a basketball, all the fresh surface water on the planet - all those rivers and lakes and ponds and streams - would fit inside that one tiny sesame seed. Add a second sesame seed; now you have all the usable underground water as well. Is fresh water a scarce resource?
I'll tell you what me scares me is plastic. Plastic bags and plastic bottles and these things. Why does my water have to be in a bloody plastic bottle? The landfill and the ocean. And I don't know, I'm just terrified with the proliferation of plastic.
Loving is not just looking at each other, it's looking in the same direction. -Antoine de Saint-Exupéry, “You are blessed doublee if you are in love” - honeya “Gravitation is not responsible for people falling in love.
Black holes are very exotic objects. Technically, a black hole puts a huge amount of mass inside of zero volume. So our understanding of the center of black holes doesn't make sense, which is a big clue to physicists that we don't have our physics quite right.
Love is not just a passion spark between two people; there is infinite difference between falling in love and standing in love. Rather, love is a way of being, a "giving to," not a 'falling for"; a mode of relating at large, not an act limited to a single person.
They could take sesame seeds off the market and I wouldn't even care. I can't imagine 5 years from now saying, "Remember sesame seeds? What happened? All the buns are blank!"
I think what is magic about black-girl hair is, at its basic level, it's just resilient. It can go from straight to curly in the same day. It's just transformative. When you don't feel so strong, the hair can be a sign of empowerment.
When you meditate and still your mind, you will gain the wisdom of knowing things in this world, in other worlds and beyond worlds - it just comes to you.
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