A Quote by Jonathan Safran Foer

I know you look both ways before you cross the street, but I want you to look both ways a second time, because I told you to. — © Jonathan Safran Foer
I know you look both ways before you cross the street, but I want you to look both ways a second time, because I told you to.
Look both ways before you cross my mind.
I've noticed that even people who believe in fate look both ways before crossing the street.
Parents teach their children to look both ways when crossing the street. They tell them to look only one way when choosing a religion.
Sorry but nothing of much importance ever happened to me...I'm just a girl who forgot to look both ways before crossing the street.
When you were growing up, your mom and dad told you to look both ways before crossing the street or not to get into a car with a stranger. It's the same with the Internet. We have a big responsibility and a huge role in bringing all the stakeholders to the table - users, parents, educators, law enforcement, government organisations.
Comedy and politics have a lot in common. Both are great ways to pick up chicks - just look at Governor Spitzer. Or Ellen Degeneres. Both require spending time on the road meeting strangers who often have the desire to throw things at you. Both are difficult, if not impossible, to do all alone. And both rely heavily on personality.
When I am getting ready to cross a street, I look both ways before crossing. My bones, my muscles, are not what they used to be, so I am careful when I go up and down stairs, because I've heard stories of older people falling and having very disabling injuries. I have enough things that begin to go a little bit wrong as I get a little bit older.
Whatever you love most, you fear you might lose, you know it can change. Why do you look from left to right when you cross the street? Because you don’t want to get run over. But, you still cross the street.
The first song I wrote was "Look Both Ways Before You Cross" from Imaginaryland. I started the song by singing a bass line, "hoo hoo hoo hoo."
When I'm crossing the street, I look both ways and I process the information rationally because if I make a mistake I get hurt, but when I cast a vote, kind of regardless of how I voted, doesn't make a difference and that's sort of a recipe for uninformed and irrational voting.
One can't have it both ways and both ways is the only way I want it.
A good programmer is someone who always looks both ways before crossing a one-way street.
Intimacy is important in my work because I don't understand existence without intimacy. All of us are dependent on other people - and in ways we don't know. You cross the street and assume that person isn't crazy, they don't want to mow me down with their car. I don't know that person but I am already in a relationship with them. I am asking them to abide by the traffic laws. If they decided not to, I'd be dead. Even in those anonymous ways, we're in relationships.
Sometimes the fans want it both ways, of course. They want to feel like they're influencing the show, and at the same time, they want to think that showrunners have the story all mapped out in our brains. But it can't be both. In truth, we were usually far ahead of the fan feedback.
Both art and science are bent on the understanding of the forces that shape existence, and both call for a dedication to what is. Neither of them can tolerate capricious subjectivity because both are subject to their criteria of truth. Both require precision, order, and discipline because no comprehensible statement can be made without these. Both accept the sensory world as what the Middle Ages called signatura regrum, the signature of things, but in quite different ways.
Do you know when you cross against traffic? You look down the street and see a car coming, but you know you can get across before it gets to you. So even though there’s a DON’T WALK sign, you cross anyway. And there’s always a split second when you turn and see that car coming, and you know that if you don’t continue moving, it will all be over. That’s how I feel a lot of the time. I know I’ll make it across. I always make it across. But the car is always there, and I always stop to watch it coming.
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