A Quote by Jonathan Safran Foer

You can see the most beautiful things from the observation deck of the Empire State Building. I read somewhere that people on the street are supposed to look like ants, but that's not true. They look like little people. And the cars look like little cars. And even the buildings look little. It's like New York is a miniature replica of New York, which is nice, because you can see what it's really like, instead of how it feels when you're in the middle of it.
You search for images and stories and movies and music from people that look like you and sound like you and speak like you because you want to feel like, 'Oh, if they can do it, so can I.' There's a little bit of that need for validation, especially when you're younger and trying to look to someone to look up to.
Most of the things at the zoo don't look like us. We're one design that works. Our chimp pals sort of look like us, so that's a different take on the same basic design. But fish don't look like us, and giraffes don't. They look a little like us, but not too much. And insects certainly don't look like us, and they work just fine.
I feel like we're so limited by the context at which we look at life. The way we look at who we're supposed to be and how we're supposed to love... everything. I feel like that, in and of itself, is a project of a lifetime: the problem of how to break out of the limiting context that is imposed upon us by the educational system, by the church, by our parents... As a kid I rejected it without even thinking about it. Now that I'm a little older, I see how deeply destructive it really is.
That New York energy, when you've got the benefit of great weather, it really is terrific. You look up at that skyline, and the Empire State Building is literally in your eyesight - there's nothing like that.
I don't really diet or anything. I'm miserable when I'm dieting and I like the way I look. I'm really sick of all these actresses looking like birds I'd rather look a little chubby on camera and look like a person in real life, than look great on screen and look like a scarecrow in real life.
I like New York, man - I ain't gonna front. The only thing I probably don't like about New York is that, coming from the South, people aren't hospitable. You tell somebody 'Hi,' and they look at you like you're out your freaking mind.
I like to read the classified ads every morning. Just the cars for sale. Love to look at cars for sale, Don't buy them, of course. Just look. But I don't like to talk to people.
I look like a 'Sesame Street' character in real life when I wake up. But not like the cute ones, like kind of like the ones that look a little rough around the edges.
Everybody in New York City knows there's way more cars than parking spaces. You see cars driving in New York all hours of the night. Its like musical chairs except everybody sat down around 1964.
I really love Beyonce. I like to look to her because we look similar; we have similar features about ourselves. So whenever I see that she's using a new product, or a new hair color, I like to look at her. because I know that if it looks good on her, it's something that I could try.
I think it is very important that you like yourself for who you are and not want to look like anyone else. You also have to understand, many people have had cosmetic surgeries in order to look the way they look. So why look like them when you can just look like you? And there is nothing wrong with looking like you.
To me, the grotesque is like a sonic manifestation of reality. I don't know how you could look out onto our world and see only beauty. And I like beautiful things. I like the aesthetically harmonious. But I am much more attracted to something that is off-kilter. It is a truer reflection of not only nature, but the human spirit - the state of the world. I just think everything feels a little off.
It's a new challenge to see how people can change your look. I like words like transformation, reinvention, and chameleon. Because one word I don't like is predictable.
I know I don't look like the skinny slender model. I know I look a little different but people like to watch me for some reason. It feels good and I'm humbled by it.
For the most part, I keep it true to who I am with Southern, trendy, and comfortable looks. I like to bring that element when I go to places like Los Angeles and New York City because I know a lot of people have a set look there, and I like to be different, and I am still going to wear my Daisy Dukes and my denim overalls.
The New York book was a visual diary and it was also kind of personal newspaper. I wanted it to look like the news. I didn’t relate to European photography. It was too poetic and anecdotal for me… the kinetic quality of new york, the kids, dirt, madness—I tried to find a photographic style that would come close to it. So I would be grainy and contrasted and black. Id crop, blur, play with the negatives. I didn’t see clean technique being right for New York. I could imagine my pictures lying in the gutter like the New York Daily News.
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