A Quote by Jonathan Schell

The world is not to be approached, blueprint in hand, as if it were so much raw material waiting to be fashioned to someone's design. — © Jonathan Schell
The world is not to be approached, blueprint in hand, as if it were so much raw material waiting to be fashioned to someone's design.
That's a hobby of mine - to do whatever I can for unusual for-hire creative projects. I am waiting for someone to really challenge me - obviously I'm often approached to do film related work, but I would be very happy to design a bar or an amusement park ride. I would love to be an imagineer!
Everything is raw material to me. Land is raw material... I take one form and transform it into other forms.
The raw material from which social institutions are fashioned is always more or less recalcitrant and any human society will tend to produce a caricature of itself.
... imaginary gardens with real toads in them ... ... if you demand on one hand, the raw material of poetry in all its rawness and that which is on the other hand genuine, then you are interested in poetry.
This is what you do. You make a future for yourself out of the raw material at hand.
One of the saddest lines in the world is, 'Oh come now - be realistic.' The best parts of this world were not fashioned by those who were realistic. They were fashioned by those who dared to look hard at their wishes and gave them horses to ride.
I’ll wait for you. Come back. The words were not meaningless, but they didn’t touch him now. It was clear enough - one person waiting for another was like an arithmetical sum, and just as empty of emotion. Waiting. Simply one person doing nothing, over time, while another approached. Waiting was a heavy word.
We're living in a time when the world has suddenly discovered India because it's run out of raw material for its imagination. The raw materials for imagination are inexhaustible here.
That is why Christians are told not to judge. We see only the results which a man's choices make out of his raw material. But God does not judge him on the raw material at all, but on what he has done with it.
I write because I'm a writer. It is rather like cooking: to make something out of the raw material at hand.
The digestive canal is in its task a complete chemical factory. The raw material passes through a long series of institutions in which it is subjected to certain mechanical and, mainly, chemical processing, and then, through innumerable side-streets, it is brought into the depot of the body. Aside from this basic series of institutions, along which the raw material moves, there is a series of lateral chemical manufactories, which prepare certain reagents for the appropriate processing of the raw material.
If you hand an adult a lump of clay, they're likely to respond by fashioning something representative out of the raw material. For the most part, they'll simply forge an object that signifies something "real" in the world, even if that something is as abstract as an emotion or an energy. A child, on the other hand, will just as often produce something totally without semiotic meaning, a shape or a mass that represents nothing that exists outside of their imagination. Or else, they'll eat it or throw it or ignore it, wholesale.
Wilderness is the raw material out of which man has hammered the artifact called civilization. Wilderness was never a homogenous raw material. It was very diverse. The differences in the product are known as cultures. The rich diversity of the worlds cultures reflects a corresponding diversity. In the wilds that gave them birth.
If you're looking for someone who can beat the RAW divas, perhaps you should choose someone who's beaten every diva on RAW.
On the other hand, a flaccid, moping, debauched mollusc, tired from too much love and loose-nerved from general world conditions, can be a shameful thing served raw upon the shell.
I'm drawn to raw material and raw emotions.
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