A Quote by Jonathan Scott
I think when you are young and you don't really know what you want in life, you can commit to something and think at the time it is right.
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We think about a lot of things that we want to do and sometimes it might feel like, you know, it's not even possible, that we can't really achieve that. But I think it's really important to let kids know, starting from when they're young, that if they put their mind to something and put the time in, they can definitely achieve it.
I think television is a big commitment, so it has to be something that you're really excited about and something that you want to potentially commit a lot of time to.
I've been mayor so I believe there is something else for me. I don't know what that is yet, but I definitely have a testimony now brother! As far as talking to young couples, talking to brothers who are strong, they have it going on, they know exactly what they want to do, how they want to do it but they don't have any God in their life. They don't really move by a spirit. They are not really connected to the community. There is a testimony in here somewhere that I think I can share but I don't know.
They are no longer going to serve you well. You have to commit. I think the biggest word is commit. I hear women say to me all the time, and men - I want to, I want to.
I've always been really selective. I just didn't have the right to be as selective in other years, I guess. It's very difficult to commit so much of your life to go shoot something that you think sucks, so I'd rather do nothing than go work on something that I really hate. Obviously, there are moments where you have to take jobs for money, everybody needs to pay their rent or whatever.
I think when you are young, you are hoping that this person will be the right one. The one you are going to be in love with forever, but sometimes you want that so much, you create something that isn't really there.
When I'm naked, I really like to do push-ups. No. I think I really tackle it like everything else. If you're going to commit yourself to playing something, you have to be able to understand it. If you can understand it, then you can do it and go balls out with it. But, I've never been in a position where I've been like, "This doesn't feel right." I wouldn't do it, if it was that. I like the shock value of it. I think that, if you use it correctly, it's pretty effective, as long as I'm lit really, really, really well.
I think I'm more grounded, you know, and I know what I want out of life and I'm, you know, my morals are really, you know, strong and I have major beliefs about certain things and I think that has helped me, you know, from being, you know, coming from a really small town.
When you're young - when I was young - you want your emotions to be like the ones you read about in books. You want them to overturn your life, create and define a new reality. Later, I think, you want them to do something milder, something more practical: you want them to support your life as it is and has become. You want them to tell you that things are OK. And is there anything wrong with that?
I think it is important for young people to see other young people on television doing something positive with their life, making positive changes and growing. I don't think there is enough of that on TV. I mean, we've got 'Jersey Shore,' and I don't know what that teaches young kids.
I think everybody has a moment in their career where you have to test whether it was right or wrong. We've all been there. I've looked back at performances of my own, where only you know if it is something you want to repeat. As long as you know when it's not right that you don't repeat it all the time.
I think I had a lot of fear, even when I was really young, that I was going to be seen as something that I didn't want to be. I didn't really know how to be myself well enough to be comfortable being someone else.
I know what I want, I want things for myself, but I think the key to life is somebody to love, something to do and something to look forward to. I don't think it's complicated.
I think God is something that people use to avoid reality. I think faith allows people to reject what is right in front of our eyes, which is that thing, this life, this existence, this consciousness, or whatever word you want to use for it, is all we have, and all we'll ever have. I think people have faith because they want and need to believe in something, whatever that something is, because life can be hard and depressing and brutal if you don't.
I think that tri [to Ram Bahadur Bomjon] was the first time I'd even seen something that made me think, or really feel: "Ah, I don't know what's really going on in the world - I think I do, and it feels like I do, but whatever is really going on is, de facto, beyond the scope of my comprehension - the best we can do is look for hints." I'd known that intellectually before but that was the first time I really believed it viscerally.
You feel like you want something, but you don't actually know what that is. I remember waking up the other night and really craving something, but not knowing what it is. That feeling has been prominent throughout my whole life. I think I try and fill that thing with lots of different things. I can't really stay still. I can't really not be stimulated. It's kind of a search of constant stimulation through other people, substances and stuff. I think that's what our lyrical content is about.
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