A Quote by Jonathan Shapiro

Primarily I'm a social commentator rather than someone who's out to get the belly laugh. — © Jonathan Shapiro
Primarily I'm a social commentator rather than someone who's out to get the belly laugh.
I want a life that sizzles and pops and makes me laugh out loud...I want my everyday to make God belly laugh, glad that he gave life to someone who loves the gift.
I'd rather get a good clean laugh with good material, than an easy laugh by swearing or shocking. That's not clever or comedic, anybody can get a laugh that way, it's too easy.
"I've found out why people laugh. They laugh because it hurts so much... because it's the only thing that'll make it stop hurting" ... "But that's not all people laugh at." "Isn't it? Perhaps I don't grok all its fullness yet. But find me something that really makes you laugh sweetheart... a joke, or anything else- but something that gave you a a real belly laugh, not a smile. Then we'll see if there isn't a wrongness wasn't there." He thought. "I grok when apes learn to laugh, they'll be people."
A good commentator is someone who obviously people like listening to, who gets the blend between description, entertainment and accuracy of conveying the event right. If you can do that in an interesting way, you are a good commentator.
I am NOT a belly dancer. I have never been one, and never will be. What I do is not what Hollywood vulgarly calls 'belly dance', but it's art. I have traveled the world to prove that my dance is not a dance of the belly but a refined, artistic dance full of tradition, of dreaming and beauty. Oriental dance is primarily an expressive dance; in that resides the beauty.
I don't have to come up with a ha-ha belly laugh every day, but drawings with warmth and love or ones that put a lump in the throat. That's more important to me than a laugh.
I think that we're so generous in some of our social problems that people are unwilling to get a job outside in the heat. Rather than get 15 dollars to go get roofing, they'd rather get 9 or 10 dollars in benefits.
The competition to get above the rest and be the lead commentator, or whatever you want to call it, is much fiercer than it was when I was starting out. By the same token, there were not as many jobs going back then, so to get one was an achievement in itself.
I was learning that among friends, a smile can be better than a belly laugh.
If an artist is driven primarily by social responsibility, I think the art probably suffers because, again, just as leadership has a rather defined end point or purpose, social responsibility would seem to have a very clear moral context.
Just being a commentator is not as easy as people think with going out there and talking for three hours. So, I don't call myself a commentator: I call myself an analyst.
The only thing I can say in comparison is when I play comedy characters; I definitely put empathy in right up at the forefront. I think if you believe in someone because you not necessarily feel sorry for them, but you can see how they are the way they are and you can laugh with them, but rather than laugh at them, you are on their side and I think it's
Empower me to be a bold participant, rather than a timid saint in waiting, in the difficult ordinariness of now; to exercise the authority of honesty, rather than to defer to power, or deceive to get it; to influence someone for justice, rather than impress anyone for gain and, by grace, to find treasures of joy, of friendship, of peace hidden in the fields of the daily you give me to plow.
An academic discipline, or any other semiotic domain, for that matter, is not primarily content, in the sense of facts and principles. It is rather primarily a lived and historically changing set of distinctive social practices. It is in these practices that 'content' is generated, debated, and transformed via certain distinctive ways of thinking, talking, valuing, acting, and, often, writing and reading.
If you can’t laugh together in bed, the chances are you are incompatible, anyway. I’d rather hear a girl laugh well than try to turn me on with long, silent, soulful, secret looks. If you can laugh with a woman, everything else falls into place.
So when you tell a joke, you want to make someone laugh, or if you tell a story about someone who had a heart attack, it may be because you want the listener to exercise. Stories are tools to create social cohesion and to get humans to strategize together.
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