A lot of people think that my work is about mocking or making fun of things, but a lot of it is about discomfort and making myself as uncomfortable as the men feel, or putting myself in a situation where I'm revealing my loneliness as much as they're revealing theirs.
The first thing that happens is the cleansing of the former character. I don't think a lot of actors talk about it, but there is usually a process where you essentially purge yourself of the character played prior to the movie. Then you want to think about what the character represents, and you write down all of the elements about this character and then take the time to find some synchronicity and start breathing the character.
If you think about it, for almost any moment, any mood that you might be in, there's probably a Beatles song that will address that mood, that feeling, that set of emotions. I don't know that that can be said about very many groups, if any.
There were very strict social conventions, and you adhered to it, and I think it gave you a lot of character. When a man said something, he meant it. He wasn't kidding around. There were no jokes involved. Nobody was in the mood to joke unless you hit a guy with a baseball bat.
I'm one of those persons who think that watching black people suffer is not an idea of entertainment. I know a lot about African American history, which is just American history, it's always been very fascinating to me. The premise of the play is remembering and honoring those persons whose stories would never be taken into account.
...there are persons who seem to have overcome obstacles and by character and perseverance to have risen to the top. But we have no record of the numbers of able persons who fall by the wayside, persons who, with enough encouragement and opportunity, might make great contributions.
What a character wears and how it affects their mood and their movements has always been very important to me. A character's clothes, if they're truthful, can make audiences feel something.
I am so offended by Trump. I spend an awful lot of time helping to educate people about who I think he is and the danger that I think he is to this country. I will be working on those issues and trying to expose this president. I think that's important work.
I often concentrate on the eyes and lips, they are great indicators of mood and feeling, and I find that I can project character into my portraits by bringing the viewer's attention to these areas.
I think the character does tend to suit an episodic thing, because what's fun about him is that he doesn't care about anyone else, and it's very difficult for a main character - a lead character - in a movie to not care about anybody else.
We actually needed the memory - if you see the film - as a very different kind of a plot device of revealing some information to our main character. So we chose to represent it as these sort of beautiful little snow globes, which kind of, weirdly, that's the way we think of memories - at least, most of the folks that we talked to. You think of these memories as being very pure and absolute and unchanging. That's not actually real life.
When we see persons of worth, we should think of equaling them; when we see persons of a contrary character, we should turn inwards and examine ourselves.
At the end of the day, it's a show [Daredevil ] not about a superhero, but it's about a man. Hopefully, that's what we're doing with The Punisher, as well. It's an enormous honor to play this character. It's a character that's quite iconic and very important to a lot of people.
My character from 'Panda Eyes,' Fay, is the character I see myself in a lot.
Even in my comedies, I don't take anger as a joke. I think anger and laughter are very close to each other, when you think about it. One of the things I like about a character: I always think it's fascinating when a character can turn on a dime and go from one emotion to another. I like watching that.
Stealing Chanel' was very different for me as an artist. I had to embrace and expose my vulnerabilities, instead of manifesting a character.