A Quote by Jonathan Stroud

Minor magicians take pains to fit this traditional wizardly bill. By contrast, the really powerful magicians take pleasure in looking like accountants. — © Jonathan Stroud
Minor magicians take pains to fit this traditional wizardly bill. By contrast, the really powerful magicians take pleasure in looking like accountants.
I know magicians and I know magic and I say this: all magicians lie and this one more than most.
I always say that I love magic but I hate magicians. I like being fooled. If you wave your hands in front of my face and I think you're doing a trick, I'm easily impressed. If you pull a quarter out of my ear, I'm quite certain you're a wizard. But I don't like the way most magicians don't act like they're magical; they act like show business dicks.
Haven't you done enough for a lifetime? Think about it - two power - crazed magicians killed, a hundred power - crazed magicians saved.
People have all these preconceived notions about magicians, like that they're lonely and bitter or they're socially awkward people. I don't know what magician hurt all these people, but I'm constantly having to overcome all these stereotypes. So, no. I'm sure there are just as many magicians who are lonely and bitter as there are comedians, lawyers, or any profession.
Ive said its a little bit like a magician performing for a convention of magicians... all the magicians in the audience watching this illusion-Do they see the illusion, or do they see the device that made the illusion? Probably they see a little of both.
Magick comes in many forms, and there are many covert master magicians who are so covert that they don't even know they are magicians.
Twelve magicians and two carnies have been shot dead doing the bullet catch. That's cool enough, but every night when we close our show with that trick and the loaded gun gets pointed in my face, it goes so far beyond cool. All I can think is 12 magicians, two carnies.
Because 'Gob' was a terrible magician, he was always, in great comedic moments, messing up his magic act. We used to have magicians come in to work on these tricks to actually get them wrong. But they still had to work. We had to bring magicians on to make magic not work.
To most magicians, cards themselves are marvels...For one thing, they feel special in your hand. Touching them, holding them, shuffling - the whole process is almost poetic. If you're in a room full of magicians and someone just mentions the word cards, within seconds, everyone is digging into their pockets and pulling out a deck of cards. It's one of the most amazing feelings ever.
I was considered a comedy magician. And - how do I put this without sounding egotistical? - it didn't take me long to realize that comedy magicians usually couldn't do comedy or magic.
I started studying filmmakers, and I would say early on the ones that really inspired me the most were like the field magicians of music videos.
Against my will I am sent to bid you come in to dinner. BENEDICK Fair Beatrice, I thank you for your pains. BEATRICE I took no more pains for those thanks than you take pains to thank me: if it had been painful, I would not have come. BENEDICK You take pleasure then in the message? BEATRICE Yea, just so much as you may take upon a knife's point ... You have no stomach, signior: fare you well. Exit BENEDICK Ha! 'Against my will I am sent to bid you come in to dinner;' there's a double meaning in that... (Much Ado About Nothing)
I grew up loving fantasy, adventure, and children's book series. At the time, I was in a place in LA where I wasn't working and I kind of thought to myself, "What do I really want to do? Like, what kind of role would be really exciting for me?" And I sort of thought about being in an adventurous, magical, fantastical world and a character that was powerful and sophisticated and perhaps even a dandy, that might have even passed in my head, and then I got an audition for the show ["The Magicians"] shortly after.
What magicians we are, turning darkness into light, transforming invisible atoms into dazzling theater of the world, pulling objects, (people as well as rabbits) out of secret microscopic closets, turning winter into summer, making a palmful of moments disappear through time's trap door. We learned the methods so long ago that they're unconscious, and we've hypnotized ourselves into believing that we're the audience, so I wonder where we served our apprenticeship. Under what master magicians did we learn to form reality so smoothly that we forgot to tell ourselves the secret?
Science and technology were often used by [the magician of old], even before they came into the marketplace on a mass basis. For example, prior to the moving picture going into theatre, magicians were using the technique of images in motion as illusions in their shows. At that time the process was so new, an audience perceived it as magic. Also in the early stages of holograms magicians would use these images to baffle and mystify their fans. Hence, you always need to stay one step ahead of the technology game to "WOW" the audience.
Magicians start by looking for blind spots, edges, vulnerabilities and limits of people's perception, so they can influence what people do without them even realizing it. Once you know how to push people's buttons, you can play them like a piano.
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