A Quote by Jonathan Stroud

Most traditional ghost stories feature rather hapless protagonists, who have nasty things happen to them. — © Jonathan Stroud
Most traditional ghost stories feature rather hapless protagonists, who have nasty things happen to them.
One of the very first ghost stories I read - and that was in a forest rest house, where it is a bit scarier - was by M.R. James. He is one of the pioneers of ghost stories. And the book was called 'Ghost Stories Of An Antiquary.'
I love ghost stories. I remember when I was about 12, I read M. R. James' 'Ghost Stories Of An Antiquary' under the covers, way too young to fully understand what was going on with those stories, completely terrified but absolutely loved them.
Our old stories happen to be your new stories. The stories that you're seeing as immigrant stories are your grandparents' stories, are your great-grandparents' stories. You just happen to be separated from them a little bit.
As a matter of fact, I deliberately look for the mundane, because I feel these stories are ignored. The most influential things that happen to virtually all of us are the things that happen on a daily basis. Not the traumas.
Great stories happen all around you every day. At the time they’re happening, you don’t think of them as stories. You probably don’t think about them at all. You experience them. You enjoy them. You learn from them. You’re inspired by them. They only become stories if someone is wise enough to share them. That’s when a story is born.
I've had a couple of ghost experiences, but I'm not a big fan of the spiritual side of things, of the ghost type thing. I don't know why, maybe it freaks me out a bit, or I'm more into tangible, physical beings rather than things that can pass through walls.
I've had a couple of ghost experiences, but I'm not a big fan of the spiritual side of things, of the ghost type thing. I don't know why; maybe it freaks me out a bit, or I'm more into tangible, physical beings rather than things that can pass through walls.
I happen to write a lot of stories that make Kissinger look bad. I'd rather that the stories weren't true, but they all happen to be true.
I read a lot of ghost stories because I was writing a ghost story. I didn't think at all I was writing a horror or a thriller or whatever because it is about a ghost, whereas a horror film can be about aliens or things that rise out of the marsh that have no human shape.
Today's ghost stories tend to be much more physically or psychologically violent. The Victorians were much more leisurely about what might or could happen, building suspense layer by layer rather than punching you in the face.
There are some ghost stories in Japan where - when you are sitting in the bathroom in the traditional style of the Japanese toilet - a hand is actually starting to grab you from beneath. It's a very scary story.
When writers for adults contemplate Venice, they behold decay, dereliction and death. Thomas Mann, Daphne du Maurier, L. P. Hartley and Salley Vickers have all dispatched hapless protagonists to Italy, where they see Venice - and die.
When we die, these are the stories still on our lips. The stories we’ll only tell strangers, someplace private in the padded cell of midnight. These important stories, we rehearse them for years in our head but never tell. These stories are ghosts, bringing people back from the dead. Just for a moment. For a visit. Every story is a ghost.
There is not a great Spanish tradition of ghost stories. But in the period of Franco, you'd find these ghost stories: sort of hidden political movies that were supposed to be about ghosts but were about something else.
I do like musicals, but I'm not so well-versed in them. I would rather tell stories that just so happen to have a song in them, like someone has a cabaret number.
Many people told me such convincing ghost stories that I felt that there really were ghosts, though I hadn't seen any. And though I still haven't seen a ghost, I feel that they are all around us; we are just not aware of them being there.
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