A Quote by Jonathan Swift

You can't make a silk purse out of a sow's ear. — © Jonathan Swift
You can't make a silk purse out of a sow's ear.
The best way to make a silk purse from a sow's ear is to begin with a silk sow. The same is true of money.
Even if one succeeds in making a silk purse out of a sow's ear, there remains the problem of what to do with a one-eared sow.
Going back into the negative past to find happiness is like trying to make a silk purse out of a sow's ear
The gospel may not make a sow's ear into a silk purse, but it will make everybody better if they live it. I've tried it. It stands the test.
Alongside getting faith out of a heart that is utterly hostile and unbelieving, making a silk purse out of a sow's ear or getting blood from a turnip is child's play.
With a bad script and even the best cast, the most you can hope for is to turn a sow's ear into a silk purse.
If you don't generate tension in the film to begin with... you can't really make a purse out of a sow's ear, you know.
It is a fallacy to believe that a Republic of any kind can be won through the shackled Free State. You can't make a silk purse out of a sow's ear. The Free State is British created and serves British Imperialist interests. It is the buffer erected between British Capitalism and the Irish Republic.
If you get a bad script, then you start expending energy trying to make a silk purse of a sow's ear. When the script's as good as those on 'Game of Thrones,' say, I don't think there was a single occasion where any of us thought there was a bad scene.
Did a sense of shame ever reside in our Republican toadies? You can't stop people who are never embarrassed by themselves. Will's readiness to turn a sow's ear into a silk purse can be cited as world class sycophancy.
One disadvantage of being a hog is that at any moment some blundering fool may try to make a silk purse out of your wife's ear.
But the quality of writing in the series [game of Thrones] is paramount. That's probably why all of us are involved in this and all of us are quite so loyal to it, because we don't have to expend a lot of energy trying to make a silk purse out of a pig's ear. The quality of the writing is really good, and that's what makes playing a character so enjoyable, whether he's heroic or villainous.
We are Jesus Christ's; we belong to him. But even more, we are increasingly him. He moves in and commandeers our hands and feet, requisitions our minds and tongues. We sense his rearranging: debris into the divine, pig's ear into silk purse. He repurposes bad decisions and squalid choices. Little by little, a new image emerges.
I took the right sow by the ear.
I was 16 at the time, and I came backstage and started hanging out with them. I said, "Well, maybe you can 'vanish' the silk this way." The opening was a black stage while the "Magic to Do" song started playing. All you saw were hands, lit by Jules Fisher, and then Ben Vereen would appear beyond the hands, and at the end of the scene he would vanish a silk. The spotlight would hit a red spot on the floor where you'd see the silk on the floor. He'd pull the silk out of the floor and it became the entire set coming out of the floor.
Let's talk about a decision that women have to make every morning- Big purse or little purse?
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