A Quote by Jonathan Swift
Silks, velvets, calicoes, and the whole lexicon of female fopperies.
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Evil is real - and powerful. It has to be fought, not explained away, not fled. And God is against evil all the way. So each of us has to decide where we stand, how we're going to live our lives. We can try to persuade ourselves and wink at evil. We can say that it isn't so bad after all, maybe even try to call it fun by clothing it in silks and velvets. We can compromise with it, keep quiet about it , and say it's none of our business. Or we can work on God's side, listen for His orders on strategy against the evil, no matter how horrible it is, and know that He can transform it.
It is easy for most of us to keep our hands from picking and stealing when picking and stealing plainly lead to prison diet and prison garments. But when silks and satins come of it, and with the silks and satins general respect, the net result of honesty does not seem to be so secure.
Being a female director become as professional as your male colleagues and forget the whole question about being female. You are female anyway and it is going to work in your favor. The scope of female professional superiority can be understood by so few men that mostly they do not miss it.
As a female, you either have a whole bunch of female friends or none.
What's so fascinating about New Yorkers is that each person has a whole lexicon of personal logic in the way that they decipher and do what has to be done to enjoy, stay alive, take pleasure in this place.
If the Russian word "perestroika" has easily entered the international lexicon, this is due to more than just interest in what is going on in the Soviet Union. Now the whole world needs restructuring, i.e. progressive development, a fundamental change.
My whole theory about why I couldn’t find any creators who realized they were leaving out female characters is because they were raised on the same ratio. I just heard someone the other day call it either ‘smurfing’ a movie, which is when there’s one female character, or ‘minioning’ a movie, which is when there’s no female characters.
Whatever you got you have to accentuate. I ran my female card up and down the ladder my whole career, because I was in a man's world. It was worked by women but owned by men. I was the only female owner in my field at that time.
In my own writing, I avoid 'female' and try to say 'woman' because I feel that the word 'female' has connotations of not just biology but also non-human mammals. The idea of 'female' to me is more appropriate for a female animal.
In the Barbecue is any four footed animal -- be it mouse or mastodon -- whose dressed carcass is roasted whole... at its best it is a fat steer, and must be eaten within an hour of when it is cooked. For if ever the sun rises upon Barbecue, its flavor vanishes like Cinderella's silks, and it becomes cold baked beef -- staler in the chill dawn than illicit love.
As a female in a home with a whole bunch of brothers and being very close to my father, without a mother and later having a hostile relationship with my stepmother, there were all kinds of Freudian issues rising from possessing a female body that I had to negotiate with no guidance, and I did this negotiation almost instinctually.
I just felt drawn towards the kind of music that really needed a strong female presence female writers, female producers, female figures and that just kind of unfolded on its own.
Is it easy for me to write from a female point of view? Yeah, I am a female. I'm a very sensitive type of guy. I try to put my female hat on and think how a female would think. If I'm watching 'The Notebook,' I'm definitely gonna cry. I cried during 'E.T.' too.
When you look at that period when Warhol and the Velvets and the Stones were doing things, it was this intersection of art and music. And then it went away.
That whole idea of chick lit being a thing that you just lump all the commercial female writers into - it went on for years.I'd switch on the radio, and I'd hear, 'Two female authors are here to discuss chick lit - is it dead?' and I'd think, 'Argh, no, not again. Are we seriously still having this conversation?'
Until women can visualize the sacred female they cannot be whole and society cannot be whole.
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