Blot out, correct, insert, refine, enlarge, diminish, interline. Be mindful, when invention fails. To scratch your head and bite your nails.
Writing has never been an intentional endeavor to me. I know a lot of people have experiences and then sit down and try to sort them out through song, but whenever I sit down to write, it comes out hackneyed or overly saccharine.
[My muse] she's impatient with me, because I don't do what I should do: sit down and write.
I wake up in the morning, or the middle of the night when an idea comes through. My songwriting style, basically I just write down information given to me from the muse and how that works for songwriters. Record the muse and the muse delivers.
Most people wait for the muse to turn up. That's terribly unreliable. I have to sit down and pursue the muse by attempting to work.
Writing is total grunt work. A lot of people think it's all about sitting and waiting for the muse. I don't buy that. It's a job. There are days when I really want to write, days when I don't. Every day I sit down and write.
The muse holds no appointments. You can never call on it. I don't understand people who get up at 9 o'clock in the morning, put on the coffee and sit down to write.
I don't sit down to write a country song. I don't sit down to write a rap song. I just sit down to write a song, you know what I mean? And I try to make that song the best it can be.
When I do write, it happens really easily. I'll just kind of sing along to whatever I'm playing, then find a line to build off of, then sit down and write. When I do write, I take care of business!
I think I sit down to the typewriter when it's time to sit down to the typewriter. That isn't to suggest that when I do finally sit down at the typewriter, and write out my plays with a speed that seems to horrify all my detractors and half of my well-wishers, that there's no work involved. It is hard work, and one is doing all the work oneself.
There are two things John and I always do when we're going to sit down and write a song. First of all we sit down. Then we think about writing a song.
If only you’d remember before ever you sit down to write that you’ve been a reader long before you were ever a writer. You simply fix that fact in your mind, then sit very still and ask yourself, as a reader, what piece of writing in all the world Buddy Glass would most want to read if he had his heart’s choice. The next step is terrible, but so simple I can hardly believe it as I write it. You just sit down shamelessly and write the thing yourself. I won’t even underline that. It’s too important to be underlined.
When done right, working is a series of decisions that you make which allow you to refine and refine and refine your highest and best use. Ultimately, if you are lucky, you will find out where you belong.
I don't sit down to write a funny story. Every single thing I sit down to write is meant to be sad.
When we write songs, we don't ever sit down to write an Old Dominion song. We just sit down to write the best song we possibly can.
My writing process often begins with a question. I write down ideas and let them stew for about a year. Then, when I sit down to write, I make a list of characters and try to see how they fit.