A Quote by Jonathan Swift
What vexes me most is, that my female friends, who could bear me very well a dozen years ago, have now forsaken me, although I am not so old in proportion to them as I formerly was: which I can prove by arithmetic, for then I was double their age, which now I am not. Letter to Alexander Pope. 7 Feb. 1736.
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There's an idea I came across a few years ago that I love: My happiness grows in direct proportion to my acceptance and in inverse proportion to my expectations. That's the key for me. If I can accept the truth of 'This is what I'm facing - not what can I expect but what I am experiencing now' - then I have all this freedom to do other things.
My friends all regarded me as a man of unsound mind because I held the view that my wife was with me in spirit always. I have lived with her spirit guiding me every day and she is with me now as I write this letter, and helps me to do as I am now doing.
I am aware that I am very old now; but I am also aware that I have never been so young as I am now, in spirit, since I was fourteen and entertained Jim Wolf with the wasps. I am only able to perceive that I am old by a mental process; I am altogether unable to feel old in spirit. It is a pity, too, for my lapses from gravity must surely often be a reproach to me. When I am in the company of very young people I always feel that I am one of them, and they probably privately resent it.
Somebody asked me if I could go back and start again with a different brain, would I. Years ago I thought yes, I would, and now I know I wouldn't. Because whatever challenges I had in school, I guess they forced me to where I am today. So I now see them as an asset.
You know what I am going to say. I love you. What other men may mean when they use that expression, I cannot tell. What I mean is that I am under the influence of some tremendous attraction which I have resisted in vain, and which overmasters me. You could draw me to fire, you could draw me to water, you could draw me to the gallows, you could draw me to any death, you could draw me to anything I have most avoided, you could draw me to any exposure and disgrace. This and the confusion of my thoughts, so that I am fit for nothing, is what I mean by your being the ruin of me.
It is now. It is always now. Now is good. Now could be the best. My name is Catcher. My name was Catcher. My name...my name... I am... I am lost, I am found and then I am free and I am happy. When I jump over that edge, someone leaps with me, shoulder to shoulder. I smell kinship on him. Kinship is all. I'm not alone. Never alone. I land, earth below me, moon above. I am wolf. We are pack. And that is all I need.
Today it is not alive. What, then, is this experience of humanism? With the above survey I have tried to show you that the experience of humanism is that — as Terence expressed it — “Nothing human is alien to me”; that nothing which exists in any human being does not exist in myself. I am the criminal and I am the saint. I am the child and I am the adult. I am the man who lived a hundred thousand years ago and I am the man who, provided we don't destroy the human race, will live hundred thousand years from now.
Two years ago, I was a twenty-nine year old secretary. Now I am a thirty-one year old writer. I get paid very well to sit around in my pajamas and type on my ridiculously fancy iMac, unless I'd rather take a nap. Feel free to hate me -- I certainly would.
Age has given me what I was looking for my entire life - it gave me me. It provided the time and experience and failures and triumphs and friends who helped me step into the shape that had been waiting for me all my life...I not only get along with me most of the time now, I am militantly and maternally on my own side.
I am 54 years old and happily single. In addition to my nuclear family, I have a close circle of friends. Most of my friends are men. But my reputation is such that their female partners would never consider me a threat.
Let us begin this letter, this prelude to an encounter, formally, as a declaration, in the old-fashioned way: I love you. You do not know me (although you have seen me, smiled at me). I know you (although not so well as I would like. I want to be there when your eyes flutter open in the morning, and you see me, and you smile. Surely this would be paradise enough?). So I do declare myself to you now, with pen set to paper. I declare it again: I love you.
And what good is it to me that you're here now? Where where you twenty years ago, ten years ago? How dare you, how dare you come to me now, when I am this?
Darling, You asked me to write you a letter, so I am writing you a letter. I do not know why I am writing you this letter, or what this letter is supposed to be about, but I am writing it nonetheless, because I love you very much and trust that you have some good purpose for having me write this letter. I hope that one day you will have the experience of doing something you do not understand for someone you love. Your father
I have about a dozen cassettes lying about which I use in random order. Very often, I pick up a cassette to dictate a letter, and I find my voice coming back at me with the lines of plays three years old.
Being a musician, being a person who's playing tours and making records is a part-time thing for me at age. I did it, I lived it and I breathed it every day of my life for 30-odd years and now I am slowing down a little bit. But it does not mean that I am any less intense and dedicated to the work that I am doing now. I have other priorities in life as well.
My friends have come to me unsought. The great God gave them to me. By oldest right, by the divine affinity of virtue with itself,I find them, or rather not I, but the Deity in me and in them derides and cancels the thick walls of the individual character, relation, age, sex, circumstance, at which he usually connives, and now makes many one.
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