A Quote by Jonathan Swift
Would a writer know how to behave himself with relation td posterity? Let him consider in old books what he finds that he is glad to know, and what omissions he most laments.
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History is imperfect and biased, and it always, always has omissions. The most common omissions are the bits that the writer of that history took for granted that his readers would know.
I take it that 'gentleman' is a term that only describes a person in his relation to others; but when we speak of him as 'a man,' we consider him not merely with regard to his fellow-men, but in relation to himself,--to life--to time--to eternity.
Editing should be, especially in the case of old writers, a counselling rather than a collaborating task. The tendency of the writer-editor to collaborate is natural, but he should say to himself, 'How can I help this writer to say it better in his own style?' and avoid 'How can I show him how I would write it, if it were my piece?'
We have to get tough with the Russians. They don't know how to behave. They are like bulls in a china shop. They are only 25 years old. We are over 100 and the British are centuries older. We have got to teach them how to behave.
A madman's ravings are absurd in relation to the situation in which he finds himself, but not in relation to his madness.
Nearly all literature, in one sense, is made up of guide-books. Old ones tell us the ways our fathers went, through the thoroughfares and courts of old; but how few of those former places can their posterity trace, amid avenues of modern erections; to how few is the old guide-book now a clew! Every age makes its own guide-books, and the old ones are used for waste paper.
It is strange how the memory of a man may float to posterity on what he would have himself regarded as the most trifling of his works.
We [Americans] know Martin Luther King Jr. as a statue. We know him as a holiday. We know him as a speech. We don't know him as a man. Most people don't even know the whole speech, just "I have a dream." They don't know what his speaking voice was like, how he looked at his wife, or that he had four kids.
The design of a book is the pattern of a reality controlled and shaped by the mind of the writer. This is completely understood about poetry or fiction, but it is too seldom realized about books of fact. And yet the impulse which drives a man to poetry will send another man into the tide pools and force him to try to report what he finds there.... It would be good to know the impulse truly, not to be confused by the 'services to science' platitudes or the other little mazes into which we entice our minds so that they will not know what we are doing.
I always think W.S. Merwin's poems will last of anyone writing today. If I had to bet on posterity I would bet Merwin. My poems could easily evaporate. So I don't know. If you find yourself as a writer thinking about posterity you should probably go out for a brisk walk or something.
What grinds me the most is that we’re sending kids out into the world who don’t know how to balance a checkbook, don’t know how to apply for a loan, don’t even know how to properly fill out a job application, but because they know the quadratic formula we consider them prepared for the world?
It's surprising how you can behave like a 16-year-old in your 60s, or a 17-year-old in your 70s. You know, it's exactly the same. You fall in love with somebody, you start worrying why the phone is not ringing and thinking, 'Can I ring him?'
A man who finds himself among others is irritated because he does not know why he is not one of the others. In bed next to a girl he loves, he forgets that he does not know why he is himself instead of the body he touches. Without knowing it, he suffers from the mental darkness that keeps him from screaming that he himself is the girl who forgets his presence while shuddering in his arms.
Customers don't know what they want. There's plenty of good psychology research that shows that people are not able to accurately predict how they would behave in the future. So asking them, 'Would you buy my product if it had these three features?' or 'How would you react if we changed our product this way?' is a waste of time. They don't know.
No man can produce great things who is not thoroughly sincere in dealing with himself, who would not exchange the finest show for the poorest reality, who does not so love his work that he is not only glad to give himself for it, but finds rather a gain than a sacrifice in the surrender.
My little brother is four years old and he listens to all my music. I don't know how he finds it, but he knows how to use an iPad and he's always online. So one day my mum said: 'You know what, you have to make something for your little brother,' and that's how I made 'Lean & Bop.'
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