A Quote by Jonathan Swift
With a whirl of thought oppressed
I sink from reverie to rest.
An horrid vision seized my head,
I saw the graves give up their dead.
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Here we are at the very core of the thesis we wish to defend in the present essay: reverie is under the sign of the anima. When the reverie is truly profound, the being who comes to dream within us is our anima. For a philosopher who takes his inspiration from phenomenology, a reverie on reverie is very exactly a phenomenology of the anima, and it is by coordinating reveries on reverie that he hopes to constitute a "Poetics of reverie". In other words, the poetics of reverie is a poetics of the anima.
She fell into a deep pool of sticky water, which eventually closed over her head. She saw nothing and heard nothing but a faint booming sound, which was the sound of the sea rolling over her head. While all her tormentors thought that she was dead, she was not dead, but curled up at the bottom of the sea.
The Princess Elizabeth, of England, was found dead with her head resting on her Bible, open at these words, "Come unto me, all ye that labor and are heavy laden, and I will give you rest." So may we all fall asleep at last when the day's work for Jesus is over, and wake up in heaven to find ourselves in the delicious rest that remaineth for the people of God.
I saw battle-corpses, myriads of them,
And the white skeletons of young men-I saw them;
I saw the debris and debris of all the dead soldiers of the war;
But I saw they were not as was thought;
They themselves were fully at rest-they suffer'd not;
The living remain'd and suffer'd-the mother suffer'd,
And the wife and the child, and the musing comrade suffer'd,
And the armies that remain'd suffer'd.
The reverie we intend to study is poetic reverie. This is a reverie which poetry puts on the right track, the track an expanding consciousness follows. This reverie is written, or, at least, promises to be written. It is already facing the great universe of the blank page. Then images begin to compose and fall into place.
The clouds were flying fast, the wind was coming up in gusts, banging some neighboring shutters that had broken loose, twirling the rusty chimney-cowls and weathercocks, and rushing round and round a confined adjacent churchyard as if it had a mind to blow the dead citizens out of their graves. The low thunder, muttering in all quarters of the sky at once, seemed to threaten vengeance for this attempted desecration, and to mutter, "Let them rest! Let them rest!
Like flies in amber, like corpses frozen in in ice, that which according to the laws of nature should pass away is by the miracle of ink on paper, preserved. It is a kind of magic. As one tends the graves of the dead, so I tend the books. And every day I open a volume or two, read a few lines or pages, allow the voices of the forgotten dead to resonate inside my head.
Carve not upon a stone when I am dead, The praises which remorseful mourners give; To women's graves - a tardy recompense, But speak them while I live.
At first, I didn't know what an actor was. I thought it was an acrobat. I saw acrobats at the circus, and I thought that was interesting. In my head, that was what I imagined I wanted to be when I grew up. Then I realized what an actor was, and I've gravitated to it ever since.
I thought you were dead,” she went on. “I saw you fall down, and—I thought you were dead.
A universe comes to contribute to our happiness when reverie comes to accentuate our repose. You must tell the man who wants to dream well to begin by being happy. Then reverie plays out its veritable destiny; it becomes poetic reverie and by it, in it, everything becomes beautiful. If the dreamer had "the gift" he would turn his reverie into a work. And this work would be grandiose since the dreamed world is automatically grandiose.
It is explained that all relationships require a little give and take. This is untrue. Any partnership demands that we give and give and give and at the last, as we flop into our graves exhausted, we are told that we didn't give enough.
Our cheer goes back to them, the valiant dead! Laurels and roses on their graves to-day, lilies and laurels over them we lay, and violets o'er each unforgotten head.
Nothing can be more shocking and horrid than one of our kitchens sprinkled with blood, and abounding with the cries of expiring victims or with the limbs of dead animals scattered or hung up here and there.
Hell was not for the living, it was for the dead, even the hallowed dead. Let the dead rest in peace. Someday Mack Bolan, too, would rest. For now, he had to find his way among the living.
I don't worry much about whether or not one of my stories contains elements of the supernatural. If I come up with what I think is a nifty concept, I'll give it a whirl.
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