A Quote by Jonathan Swift

For poetry, he's past his prime, He takes an hour to find a rhyme; His fire is out, his wit decayed, His fancy sunk, his muse a jade. I'd have him throw away his pen, But there's no talking to some men.
Everybody lies...every day, every hour, awake, asleep, in his dreams, in his joy, in his mourning. If he keeps his tongue still his hands, his feet, his eyes, his attitude will convey deception.
Some souls think that the Holy Spirit is very far away, far, far, up above. Actually he is, we might say, the divine Person who is most closely present to the creature. He accompanies him everywhere. He penetrates him with himself. He calls him, he protects him. He makes of him his living temple. He defends him. He helps him. He guards him from all his enemies. He is closer to him than his own soul. All the good a soul accomplishes, it carries out under his inspiration, in his light, by his grace and his help.
Why can't a man stand alone? Must he be burdened by all that he's taught to consider his own? His skin and his station, his kin and his crown, his flag and his nation They just weigh him down
The master in the art of living makes little distinction between his work and his play, his labor and his leisure, his mind and his body, his information and his recreation, his love and his religion. He hardly knows which is which. He simply pursues his vision of excellence at whatever he does, leaving others to decide whether he is working or playing. To him he's always doing both.
Here's a strange fact: murder a man, and you feel responsible for his life - ''possessive'', even. You know more about him than his father and mother; they knew his fetus, but you know his corpse. Only you can complete the story of his life, only you know why his body has to be pushed into the fire before its time, and why his toes curl up and fight for another hour on earth.
We exist to exhibit God, to display his glory. We serve as canvases for his brush stroke, papers for his pen, soil for his seeds, glimpses of his image.
We over-estimate the conscience of our friend. His goodness seems better than our goodness, his nature finer, his temptations less. Everything that is his,--his name, his form, his dress, books, and instruments,--fancy enhances. Our own thought sounds new and larger from his mouth.
I have seen him set fire to his wigwam and smooth over the graves of his fathers... clap his hand in silence over his mouth, and take the last look over his fair hunting ground, and turn his face in sadness to the setting sun.
A poet or philosopher should have no fault to find with his age if it only permits him to do his work undisturbed in his own corner; nor with his fate if the corner granted him allows of his following his vocation without having to think about other people.
Col. Shaffer is prohibited by his lawyer from talking. He's at great risk. They want to take away his pay and his health care benefits so they can hold it over his head and not allow him to talk while he's under suspension. This is not America.
As a creator of character his peculiarity is that he creates wherever his eyes rest ... With such a power at his command Dickens made his books blaze up, not by tightening the plot or sharpening the wit, but by throwing another handful of people upon the fire.
Teach him a certain refinement in sorting out and selecting his arguments, with an affection for relevance and so for brevity. Above all let him be taught to throw down his arms and surrender to truth as soon as he perceives it, whether the truth is born at his rival's doing or within himself from some change in his ideas.
Depending on the year or the therapist he was seeing, he'd learned to ascribe just about every facet of his character as a psychological reaction to his parents' fighting: his laziness, his overachieving, his tendency to isolate, his tendency to seduce, his hypochondria, his sense of invulnerability, his self-loathing, his narcissism.
Strange is the vigour in a brave man's soul. The strength of his spirit and his irresistible power, the greatness of his heart and the height of his condition, his mighty confidence and contempt of danger, his true security and repose in himself, his liberty to dare and do what he pleaseth, his alacrity in the midst of fears, his invincible temper, are advantages which make him master of fortune.
And so take away his work, which was his life [. . .] and all his glory and his great deeds? Make a child and a dotard of him? Keep him to myself at that cost? Make him so mine that he was no longer his?
The man has a curious inborn conviction of his own superiority which is quite unshakeable. All his life he has bullied and browbeaten those around him by his high-and-mightiness and his atrocious temper. As a boy he terrorized his entire family by his tantrums, when, if thwarted, he would throw himself on the floor and yell till he went blue in the face. It has been much the same ever since. Everyone's terrified of his rages. He has only to start grinding his teeth, and people fall flat before him.
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