A Quote by Jonathan Swift
I never wonder to see men wicked, but I often wonder to see them not ashamed.
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But I still wonder how it was possible, in those graceless years of transition, long ago, that men did not see whither they were going, and went on, in blindness and cowardice, to their fate. I wonder, for it is hard for me to conceive how men who knew the word "I," could give it up and not know what they lost. But such has been the story, for I have lived in the City of the damned, and I know what horror men permitted to be brought upon them.
I'm no longer a child and I still want to be, to live with the pirates. Because I want to live forever in wonder. The difference between me as a child and me as an adult is this and only this: when I was a child, I longed to travel into, to live in wonder. Now, I know, as much as I can know anything, that to travel into wonder is to be wonder. So it matters little whether I travel by plane, by rowboat, or by book. Or, by dream. I do not see, for there is no I to see. That is what the pirates know. There is only seeing and, in order to go to see, one must be a pirate.
Everything is extraordinarily clear. I see the whole landscape before me, I see my hands, my feet, my toes, and I smell the rich river mud. I feel a sense of tremendous strangeness and wonder at being alive. Wonder of wonders.
Someone asked us later, "Didn't you wonder why no one came across you sooner?" Did I wonder? When you see your parents zipped up in black body bags on the Jellicoe Road like they're some kind of garbage, don't you know? Wonder dies.
When I see my work in a gallery I often wonder how I got to this point. Sometimes the process of making the work feels like a blur, and I look at the work and wonder how I actually made it.
I do not know how wicked American millionaires are, but as I travel about and see the results of their generosity in the form of hospitals, churches, public libraries, universities, parks, recreation grounds, art museums and theatres I wonder what on earth we should do without them.
Of course I've been called everything; Wonder Wonder Woman, Wonder Bra, Wonder Bread.
Perhaps you have to have a little bit of hope to believe that beauty can be found, to believe that life does come back, that something can surprise you. And maybe hope and wonder are somehow related. Maybe wonder feeds hope and hope feeds wonder. You see something beautiful and it reminds you that it's possible to see something beautiful.
For human nature is so made that only what is unusual and infrequent excites wonder or is regarded as of value. We make no wonder of the rising and the setting of the sun which we see every day; and yet there is nothing in the universe more beautiful, or worthy of wonder. When, however, an eclipse of the sun takes place, everyone is amazed - because it happens rarely.
The wonder is that we can see these trees and not wonder more.
Do you ever wonder whether people would like you more or less if they could see inside you? But I always wonder about that. If people could see me the way I see myself—if they could live in my memories—would anyone, anyone, love me?
Wonder is a very subtle, precious emotion, often lost in the gross hustle and bustle of modern life. When we feel wonder, we are immediately reminded of the purity and innocence of our childhood. Then, everything was magical and mysterious. Magic should help us relive that wonder.
Wonder, connected with a principle of rational curiosity, is the source of all knowledge and discover, and it is a principle even of piety; but wonder which ends in wonder, and is satisfied with wonder, is the quality of an idiot.
There's no way we can possibly understand anything. But we can see things, we can perceive things, and we can wonder. We can just be in a world of awe and wonder. That's the best we can do.
I remember when I was a child, being taken to the celebrated Barnum's Circus, which contained an exhibition of freaks and monstrosities, but the exhibit on the program which I most desired to see was the one described as ‘The Boneless Wonder’. My parents judged that the spectacle would be too demoralizing and revolting for my youthful eye and I have waited fifty years, to see The Boneless Wonder sitting on the Treasury Bench.
I think the nice thing about showing work in New York is that other artists come to see it. When you show work in Switzerland or somewhere else, everywhere else seems to be the provinces in a certain way. You wonder what your paintings are doing on the walls and you wonder who's looking at them.
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