A Quote by Jonathan Taylor Thomas

I think at this point, I'd eventually like to work behind the camera. That's not to say I would never act again, I'm not quite sure to be honest. — © Jonathan Taylor Thomas
I think at this point, I'd eventually like to work behind the camera. That's not to say I would never act again, I'm not quite sure to be honest.
I do films to be behind the camera, not in front of the camera. I'm sure I say very intimate things about myself in all my films, but it's better to say it not too directly, to be hidden behind a woman.
I have a lot of appreciation for what people do in front of the camera as well as behind the camera. I don't think I could like one without the other. Eventually, I think the road will lead me down to producing or directing, because it's more about problem solving.
Everyone in show business makes these sweeping, "I'll never work with so-and-so again," because that's the way you feel at the moment. It's a business where there really is no point in ever saying never. There are people I've sworn that I would never go near again, and then you see an interesting role that would put you opposite that person and you think, "Well, we'll work together, maybe they were having a bad year."
I want to be the person who eventually doesn't have to be in front of the camera. I can be behind the camera and really change things cinematically, and this is giving me an opportunity to do something behind the camera, which I really want to maximize.
I like telling stories, I like movies, and I want to work on films. I think I would feel safer behind the camera.
The feeling I have reminds me of New Year’s Eve, when the countdown is coming and I’m not quite sure whether to grab my camera or just live in the moment. Usually I grab the camera and later regret it when the picture doesn’t turn out. Then I feel enormously let down and think to myself that the night would have been more fun if it didn’t mean quite so much, if I weren’t forced to analyze where I’ve been and where I’m going.
My style of working is I'll often be behind the camera, or right next to the camera yelling words at people, like, 'Say this, say this! Say it this way!' I'll straight-up give Anthony Hopkins a line reading. I don't care.
Being a pastor, of course, obviously people would say it (shouldn't) have done much but, boy, it sure gave me a peace I never had before. I think we struggle in life. Even people of faith struggle when things don't work out quite the way we think they should.
When the photographer is nearby, I like to say, 'Quick, get a photo of me looking into the camera,' because I'm never looking into the camera. Christopher Nolan looks into the camera, but I think most directors don't, so whenever you see a picture of a director looking at the camera, it's fake.
In terms of Bridget [Jones] I honestly don't know. One thing I can say for sure is that all of these stories have been an honest, instinctive expression of something I felt or observed at the time. I would never cynically think "Oh that would sell well next."
I think most writers will say that at the start of each book they think, 'I'm not sure I can do this.' But eventually, you reach a magical point where the story suddenly becomes real to you, and you become totally invested in it.
My work is to be honest. My work is to try to think clearly, then have the courage to make sure that what I say is the truth.
I want to continue working in Mexico, but I'd also like to work in other countries eventually, too. Working behind the camera is interesting for me, too.
I've discovered that being behind the camera is more fascinating. If I had to choose a profession today, it would have been something behind the camera.
It's not like I sit around watching my movies again and again, but I've never quite believed actors when they say they don't watch themselves.
I didn't have any plans to act, as I thought I would take up a job behind the camera. But, life had its own plans for me. In fact, every time I plan things, they never happen.
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