A Quote by Jonathan Trigell

I wanted to write a book that imagined where advances in the study of genetics might lead us. Holman was the first character who came to me: I envisaged the misshapen offspring of beautiful, wealthy parents. Then I realised that he bore a striking resemblance to Toulouse-Lautrec. I developed that, made Holman an alcoholic who lives among hookers, an artist tortured by his disability.
In Moulin Rouge I could not change the name of Toulouse-Lautrec obviously to Toulouse-Lautrec- Martinez. But in ER I did that, my name is Dr Victor Clemente, so sometimes it is possible.
The spoken word community was significant in making me want to write accessible and urgent poems. Bob Holman, in particular, was an impressive figure.
Most bad books get that way because their authors are engaged in trying to justify themselves. If a vain author is an alcoholic, then the most sympathetically portrayed character in his book will be an alcoholic. This sort of thing is very boring for outsiders.
It was the most beautiful thing I'd ever seen. How the artist captured the light, the details of my mother's dimples, the joy in my father's eyes, all through gentle strokes from his palette. The artist made me look alive when I felt lonely and grim inside. That's the way this man saw me. I decided then that that's what I wanted to do
I sort of had that fantasy of being one of the muses of Paris and hanging out with Toulouse Lautrec and Picasso.
Farrell's Bar in Brooklyn had urinals so large they looked like shower stalls for Toulouse-Lautrec.
I don't have any regrets, really, except that one. I wanted to write about you, about us, really. Do you know what I mean? I wanted to write about everything, the life we're having and the lives we might have had. I wanted to write about all the ways we might have died.
The stubby French painter Toulouse-Lautrec supposedly invented chocolate mousse - I find that rather hard to believe, but there you have it.
Mazhar never wanted me to grow as an individual or as an artist. He always wanted me to be with the kids and be at home. During the very first year of marriage I realised I had made a huge mistake, but I decided to live by it and make it work. I tried to make it work for another 12 years.
As far as animatronics, I started out in college working for Tom Holman. He was the inventor of the THX sound system. Through him, I got an internship at Lucasfilm.
The best thing my parents did was to make me study in Chennai. I was in a school where most others around me were also from film industry families so none of us realised what our parents were.
My dad wanted me to be a scientist and I was set to study science A-levels. But after the first term I realised it would be much more enjoyable to study English and history, which didn't seem like work - so I switched.
I think, for me, there's The Book I Should Write and The Book I Wanted to Write - and they weren't the same book. The Book I Should Write should be realistic, since I studied English Lit. It should be cultural. It should reflect where I am today. The Book I Wanted to Write would probably include flying women, magic, and all of that.
I don't think I realized what was going to be the hardest part of becaming an artist until I dove off the diving board ... first I had to overcome a pre-speculated idea of me. I had to sort of burst through that and introduce myself, and that was the first hurdle, and then now sing in front of everybody, and then that was the second one, and I'm the offspring of - you know, who I'm the offspring of - I had a few hurdles to get through, no doubt about it. But the scales never tipped in the other direction too much.
The best way to learn to write is to read in the genre you might be interested in; then, you need to actually sit down and write. In a lot of cases, the first book you write will not get published. Do not get hung up on that. Start a second book.
The truth is that since the first book, I have wanted to emulate Benjamin Franklin and put together a healthy, wealthy and wise trilogy and so healthy was 'The 4-Hour Body,' wealthy was 'The 4-Hour Workweek' and then wise is 'The 4-Hour Chef.'
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