A Quote by Jonathan Trigell

I do always know where I'm going in my books. I know the endpoint. I've written only two thousand words of my next novel but I know what the ending will be already. — © Jonathan Trigell
I do always know where I'm going in my books. I know the endpoint. I've written only two thousand words of my next novel but I know what the ending will be already.
I don't begin a novel or a screenplay until I know the ending. And I don't mean only that I have to know what happens. I mean that I have to hear the actual sentences. I have to know what atmosphere the words convey.
I can't really write anything without knowing the ending. I don't know how people do that. Even with my superhero stuff, I have to know at least where I want to take the characters and what the ending of my story with them will be. I just can't structure stories or character arcs and stuff without knowing the endpoint.
When I'm writing, I won't know whodunnit until maybe two thirds of the way through. Until then, I know as little as my detective. I just make it up as I go along. It's nerve-wracking, actually. You'll be half through and not know your conclusion. You worry one of these days the ending won't come. I'll be left with only two-thirds of a novel.
You read what you have written and, as you always stop when you know what is going to happen next, you go on from there. You write until you come to a place where you still have your juice and know what will happen next and you stop and try to live through until the next day when you hit it again.
I never know what I'm going to write next. If I'm still writing the book but I'm very near the end, and I begin to think of what I'd like to do next, then I'll know that what I'm writing is in hand. I'll think of an ending and it will be fine.
Like books you will never have the chance to read, there are languages you do not know, and you're not going to get a chance to learn, so you'll never really know what was written, only the approximation.
A discussion between Haldane and a friend began to take a predictable turn. The friend said with a sigh, 'It's no use going on. I know what you will say next, and I know what you will do next.' The distinguished scientist promptly sat down on the floor, turned two back somersaults, and returned to his seat. 'There,' he said with a smile. 'That's to prove that you're not always right.'
I never plan. I never know what the next page is going to be..... But that's the fun of writing a novel or a story, because I don't know what's going to happen next.
There's this thing in TV that I find hysterical where the writers and creators will ask us if you want to know what happens to your character or if you want to experience it episode by episode. In the theatre, we always know the ending; we always know where the character is going.
It's my contention that each book creates its own structure and its own length. I've written three or four slim books. It may be that the next novel is a big one, but I don't know.
There will be more words written on Twitter in the next two years than contained in all books ever printed.
Why is it that people don't know what to say when something bad has happened to someone they know? Maybe because they think there are some magic words that will make everything all right again, only they don't know what the words are.
It's very bad to write a novel by act of will. I can do a book of nonfiction work that way - just sign the contract and do the book because, provided the topic has some meaning for me, I know I can do it. But a novel is different. A novel is more like falling in love. You don't say, 'I'm going to fall in love next Tuesday, I'm going to begin my novel.' The novel has to come to you. It has to feel just like love.
The best way is always to stop when you are going good and when you know what will happen next. If you do that every day when you are writing a novel you will never be stuck. That is the most valuable thing I can tell you so try to remember it.
I do not need to know all things. I remind myself that it is sufficient that I know what I know and know that without believing that I will always know what I know or that what I know will always be true.
You may be able to write a novel, you may not. You will never know until you have worked very hard indeed and written at least part of it. You will never really know until you have written the whole of it and submitted it for publication.
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