A Quote by Jonathan Tropper
Whether I'm writing a novel about a guy mourning the death of his father or whether I'm writing a show about people killing each other, you want to hear characters speak and be funny and witty.
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And it [Fight Club novel] was written so general that my father thought I was writing about his father, and my boss thought I was writing about his boss. People really put themselves, you know, in the shoes of the narrator.
That's one thing brands are understanding is, I'm the blogger who's not writing about fashion. I'm not writing about beauty. I'm not writing about gossip. I'm not writing about politics. I'm writing about all of that. I'm the person they can come to if they just want to reach people who care and have their fingers on pop culture.
The cool thing about 'Transparent' is that the show is funny but not like a sitcom is funny. It all comes down to the writing... The writers on that show are so good that you don't have to worry about anything. There are so many things that can go wrong making a TV show or a movie, but if the writing's good, that's, like, 95 percent of it.
In terms of style, I think the memoirist should have a novelist's skill and all the elements of a novelist's toolbox. When I read a memoir, I want to really, deeply experience what the author experienced. I want to see the characters and hear the way they speak and understand how they think. And so in that way, writing a memoir feels similar to writing a novel.
I've tried over the years all kinds of ways of going about writing and even just thinking about the idea of writing. There was a time when I decided to try to write a song each day. Whether it was good or bad wasn't important.
In some ways, writing a novel, especially a novel set in the past and about characters who once lived, is about amassing enough details and arranging them properly in order to offer the reader a verisimilitude that satisfies his or her curiosity about the story at hand.
I saw one of the absolute truths of this world: each person is worrying about himself; no one is worrying about you. He or she is worrying about whether you like him, not whether he likes you. He is worrying about whether he looks prepossessing, not whether you are dressed correctly. He is worrying about whether he appears poised, not whether you are. He is worrying about whether you think well of him, not whether he thinks well of you. The way to be yourself ... is to forget yourself.
The funny thing about writing is that whether you're doing well or doing it poorly, it looks the exact same. That's actually one of the main ways that writing is different from ballet dancing.
In the theater, when people hear that you're writing a play, they want to know what it's all about, whether there's a role for them. You write it fairly quickly, and it becomes a group activity before you're really ready to have company.
After my first novel, my mother said to me, 'Why don't you make your writing more funny? You're so funny in person.' Because my first novel was rather dark. And I don't know, but something about what she said was true. 'Yes, why don't I?' Maybe I was afraid to be funny in the writing. But since then, seven books later, almost everything I've done has a comedic edge to it.
It's funny, I used to say on 'That 70's Show', you could really put us in any decade, and it was about the people and the characters and that we cared about each other.
It's funny, I used to say on 'That 70?s Show', you could really put us in any decade, and it was about the people and the characters and that we cared about each other.
When I started writing short stories, I thought I was writing a novel. I had like 60 or 70 pages. And what I realized was that I don't write inner monologue. I don't want to talk about what somebody is thinking or feeling. I wanted to try to show it in an interesting way. And so what I realized was that I was really writing a screenplay.
First of all, all writing includes some part of the self. The relationship of the self and the other exists in writing, whether autobiographical or novel. There is a self and an other.
I thought about ["Summer Sisters" ] so often as I was writing about these female characters who love each other and hated each other and were sort of in love with each other.
What I like about writing a stand alone novel is you're starting with a fresh world and fresh characters. Part of what I love about writing is that journey of discovery where it's all new to me as well.
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