A Quote by Jonathan Tropper
There's something really satisfying if you've created a bunch of characters that have withstood 25 episodes.
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What I love about [TV] is this: It's a specific thing to be able to tell a satisfying, rewarding story in less than 25 minutes. Not everyone can pull that off. There's something really cool about giving lit people a bunch of little mini movies.
Even though the third season of 'Necessary Roughness' was only ten episodes, they were an extremely intense bunch of episodes, especially toward the finale.
Even though the third season of Necessary Roughness was only ten episodes, they were an extremely intense bunch of episodes, especially toward the finale.
I haven't got anything against films that are about the minutia of relationships or customs, but I love extremes. I love taking a bunch of characters and it usually is a bunch of characters, and you throw something at them that's usually extreme, like a bag of money, or you send them out to explode a nuclear device on the surface of the sun. And those extremes are wonderful for drama.
When you only do 10 episodes for a final season, every character and all of her interactions in every storyline have so much more import because it's the last time we're going to do it. It's been really helpful saying, "OK, where do we want each of these characters to end?" We have 10 episodes to do it and working backward from that, I kind of envy my friends who have always been on a cable network because this is really that great benefit of doing it this way.
The danger of writing a so-called thriller is that in your last 100 pages, all of these really interesting characters you've created are just running away from something or toward something, but they're no longer capable of innovation or discovery.
The most interesting thing to me is that 'The Walking Dead' is a show that reinvents itself every eight episodes. It's an evolving landscape. There are characters that die. There are characters that stay on. There are characters that go away. I love that.
Ten episodes goes by really quickly, especially when you've got a really tough shooting schedule of seven-day episodes.
I try to be true to the characters that I've created and sometimes I disagree with them, but their opinions about the story and the characters really matter to me.
'The Big Chill' had a bunch of really talented actors, a great soundtrack, and the college connections that the characters shared. It's one of those movies I glean something different from every time I watch it.
I've seen a bunch of the 'Portlandia' episodes, and they're pretty hilarious.
Most people recognize me from The Shawshank Redemption, but there is this subculture of people who have collected all 13 episodes of Greg The Bunny. And I'm still close to a number of the creative people, Dan Milano particularly, who created Warren The Ape and Greg The Bunny and all of those characters.
To be able to say that there are 200 episodes of 'Murdoch Mysteries' is groundbreaking, and it really has snuck up on all of us. When we reached 100 episodes, we had a huge celebration, and the crowds, our fans, really turned out to celebrate the show with us.
I think there's a lack of really, really good funny scripts out there that work on all the levels that they're supposed to - which is to say that they're not just funny but they have interesting characters that people are going to like and be invested in. I've done a bunch of movies that haven't worked but I like to think I've done some that have worked and that's because not only is the comedy there but the characters and storylines are interesting. The characters are real and relateable and people were invested in them.
Normally, if you do a television show, it's 25 episodes. Your year is kind of shot, you know what I mean?
The thing that's important for me to focus on is the balancing of the tension between satisfying myself and satisfying an audience, and making something that I think is good and funny, worthwhile, small-"i" important, versus something that's going to do well.
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