A Quote by Jonathan Tucker
You think about acting kind of as an iceberg where you've got that 5% that you see... but in order to have that 5%... you have to have another 95%.
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It's really up to the acting community to be willing to be educated about what performance capture is in order to fully appreciate it as acting. It's not a type of acting, but rather the use of technology to harness an actor's performance and translate it into an ape, another animal, or an avatar of some kind.
I moved to New York in '92 and got my graduate degree in acting from NYU - they have a great acting program. I graduated in '95.
I think that in order to get better as an athlete and to see whatever kind of results you're after, you have to make goals. Whether you write them down or tell someone about them, it's important to set goals for yourself in order to achieve any kind of success.
Nothing is safe from you. If I were to court a girl who lived on an iceberg in the middle of the ocean, sooner or later— probably sooner— I’d look up to see you swooping overhead on a broomstick. In fact, by now I’d be disappointed in you if I didn’t see you.” “Are you off to the iceberg today?” Sophie retorted.
This city can be kind of brutal, so you see your dreams from every different angle, but ultimately it's about acting and if you enjoy acting, you will always enjoy acting.
The successes in the entertainment business are like one percent of the iceberg that you see, and the other ninety-nine percent, which is the rejection and the failure and the work and the toil and the sacrifice, is the rest of the iceberg that's below the water.
I think I got into acting because I kind of had not much else to do! I guess I was kind of looking for something challenging. I heard about the London Theater scene and it was very different from the upbringing that I had and it felt like a challenge. And the whole sort of London Theater schools, I was told that 6,000 apply and there are like 30 accepted to each one. I was like, "Yeah. Let's see if we can do that!"
I got into [acting] so late because of sports. And then when I was in grad school, I sort of got lulled into basically forgetting I was black, in - meaning that everyone you play at a conservatory, 95 percent of the characters are non-black.
In real life, when you have an emotional experience, it's never just because of the thing that's been said. There's the backstory. It's like [Ernest] Hemingway's iceberg theory - the current emotional moment is the tip of the iceberg and all of the past is the seven-eighths of the iceberg that's underwater.
I've got to see my movie to see how I'm acting, see what little things I can learn about my craft.
The best thing anybody ever told me about acting - and I think it's probably true for life, generally - is listen. You've really got to watch, and you've really got to listen. Not see and hear.
I hadn't thought about the balance in mood. You see that we did it in alphabetical order, so if there's any kind of shape, or any kind of flow, it's random. Gender...we didn't think much about it. It was sort of interesting to see that women often were choosing women and men often were choosing men. And sometimes they wouldn't and that was fun. I didn't know that I would be excited by that, until I saw it happen.
Before I got into acting, I was always interested in psychology, which I think is very common with a lot of actors because in a weird way, psychology and acting kind of seem interwoven.
Sound is ephemeral, fleeting, but some sort of a physical manifestation can help you hold on to it longer in time. I'm sure of this; I've always thought the sound that you make is just the tip of the iceberg, like the person that you see physically is just the tip of the iceberg as well.
I remember hearing someone say that good acting is more about taking off a mask than putting one on, and in movie acting, certainly that's true. With the camera so close, you can see right down into your soul, hopefully. So being able to do that in a way is terrifying, and in another way, truly liberating. And I like that about it.
As the artist, you have to live in order to experience life to put that out there, and when you are successful in America and in the world, your point of view is the 5% and not the 95%, but you have to represent the 95% so you have to find a way to experience life the way they do.
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