A Quote by Jonathan Tucker
I'm not a horror guy, it's not my thing, but I respect it a lot. I know how hard it is to make, especially to make good.
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The definition of horror is pretty broad. What causes us "horror" is actually a many splendored thing (laughs). It can be hard to make horror accessible, and that's what I think Silence of the Lambs did so brilliantly - it was an accessible horror story, the villain was a monster, and the protagonist was pure of heart and upstanding so it had all of these great iconographic elements of classic storytelling. It was perceived less as a horror movie than an effective thriller, but make no mistake, it was a horror movie and was sort of sneaky that way.
I figured, when I make a movie, especially earlier in my career, one thing I was going to make sure was that the movie doesn't cost a lot and that it has potential to make a lot of money. That's how you get respect in Hollywood.
'The Good Guy' is a totally differently-looking New York than 'How To Make It' portrays. 'The Good Guy' is all about Wall Street and that culture, which 'How To Make It' touches on, but 'How To Make It' also is downtown, Lower East Side loft parties, cool clubs, Brooklyn and that world.
Well, the fella I got on there is hitting pretty good and I know he can make that throw, and if he don't make it that other fella I got coming has shown me a lot, and if he can't I have my guy and I know what he can do. On the other hand, the guy's not around now. And, well, this guy may be able to do it against left-handers if my guy ain't strong enough. I know one of my guys is gonna do it.
Y'know what? This is what I go by: It doesn't matter how good-looking a guy is, it just depends on his personality. If a guy can make you laugh and make fun of you, then that's what would win me over. So, yeah.
A lot of players know how to play the game, but they really don't know how to play the game, if you know what I mean. They can put the ball in the hoop, but I see things before they even happen. You know how a guy can make his team so much better? That's one thing I learned from watching Jordan.
It's hard for women who make a lot of money and make decisions all day long, then they have to come home and be 'Stupid Sally.' Men need respect, and they need to know that they can lead in the relationship, so even if they don't make the most money they need to be able to call the shots.
When you're the good guy in a horror film, you're usually suffering a lot throughout the entire thing.
I love horror movies. It's so fun being absolutely terrified. It's damn hard to shoot, though. I didn't realize how difficult it was to make a horror movie as an actor. Physically and mentally, phew.
I think the mistake people make with horror movies and what makes them successful is a lot of horror movies get made by people who don't really like them, so they don't respect them. And when you like horror and have admiration for it, that community knows that what's important for a horror movie is important for every other kind of movie.
It's very human to want to make an impact, to contribute to the world. But it's hard to know the how and why. Like, 'Will my small thing make a difference?'
How to make a scary movie human, take a movie like Sinister. How can I make that guy so real so that the scary elements of it are more scary and it functions as a genre movie - as the way it's supposed to, you want to hear a ghost story at midnight, that's a good one - but how do you fill it up with humanity inside, in staying true to the genre? You know? Does that make sense?
I'm very appreciative of, and I also, having traveled the world, know that the United States is one of the few places where there really are no limitations. As long as you've got drive and hard work and a good idea and you can get out there and do your thing, there's no social classes, so in a lot of countries there's a big history of regardless of how much money you may make, there's still that little thing where you're not in society. That doesn't exist here.
Although we're all in this to make a living, why not make something to make an impact? One day, I'll make a horror film. I think I know what the audience wants.
I think more than comedy, probably more than straight drama, I like horror. And horror I think I'm particularly good at. It's a mistake a lot of directors make, especially young directors. They always want to make the kind of movies that they most admire and aren't necessarily sensitive to what they have the best skill set for.
Horror movies are hard work. Why don't we make a horror workout?
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