A Quote by Jonathon Keats

Just getting totally absorbed in that and therefore when I came back around to [Buckminster Fuller] and found that much of it was made up, I realized that nevertheless, it really was crucial, crucial for how he understood himself, I believe, and certainly crucial for how anyone else ever engaged in his ideas and therefore as a starting point, how can we engage in his ideas today, but with a remove of knowing that it is a myth and being able to navigate it in that sort of level, at that level of reading him as a story.
Writing a book about [Buckminster Fuller] in the sense of deciding how much to - how much biographically to gloss over and how much I can leave out is relatively easy as it is because the true believers already know everything. They know a lot of things that are not true and they know a lot of things that I thought were (and seems there's very good evidence not to believe) and therefore, my starting point was I think to tell his myth because that's what grabbed me.
Obama is not just a powerful speaker, but a thinker engaged with the ideas of his country and his age--this argument by historian James Kloppenberg should therefore fascinate anyone interested in American politics or how ideas shape public life. Tracing the influences of Obama's family, educational, and work experiences on his ideas, Reading Obama locates a unique individual in the crosscurrents of American democracy and continuing fights over American ideals.
Always have clear lines of communication and be open to trying new ideas. Being open to new ideas is crucial to growing as an artist. If you always have the same creative habits, how will you ever excel to the next level? The answer is, you won't. Taking those creative risks reaps the most incredible rewards.
The ignorant man is not free, because what confronts him is an alien world, something outside him and in the offing, on which he depends, without his having made this foreign world for himself and therefore without being at home in it by himself as in something his own. The impulse of curiosity, the pressure for knowledge, from the lowest level up to the highest rung of philosophical insight arises only from the struggle to cancel this situation of unfreedom and to make the world one's own in one's ideas and thought.
Knowing how much carbon dioxide the ocean is storing is crucial to modeling future climate changes, and given the prevalence of these creatures around the world and how much water they can filter, it is likely a significant amount.
The illusion of life is crucial for the work, otherwise the ideas wouldn't be able to jump across, people wouldn't engage with it.
Being able to chuck ideas around and bounce ideas off each other with anyone I'm working with is just something I love to do, that's how most of these ideas are formed.
One key element to Hitchcock is the drooping jowl. That was crucial because his silhouette is crucial. There is something about his silhouette that became his brand.
The most crucial thing is to learn the craft: how to string sentences together, how to make your dialogue sound like real people, how to properly pace a story, how to develop interesting characters.
We clearly recognize the need for something that is what [Buckminster Fuller] represents and therefore it becomes really useful and really interesting to look at the ways in which world changing today totally misses everything that was valuable.
The best idea ever thought of in the history of humanity is useless unless someone communicates it. It will die in the test tube. And in our case, what we're communicating here to people is not necessarily something they want to hear. And so, our demeanor - how we deliver this message - takes on crucial, crucial importance.
Man is an intellectual animal, and therefore an everlasting contradiction to himself. His senses centre in himself, his ideas reach to the ends of the universe; so that he is torn in pieces between the two, without a possibility of its ever being otherwise.
Many people, including myself, thought of Jobs as an inventor, an Edison-like figure, but he wasn't. I did a documentary on James Brown recently; and, oddly, I found a lot in common between Jobs and Brown. Jobs was also a fantastic performer, put on an extraordinary live show at his product launches, but he could also be ruthless, cruel and totally self-aggrandizing. And just as Brown surrounded himself with the very best musicians, Jobs understood the importance of hiring the absolutely most talented people and knew how crucial they were to the success of what he was trying to do.
I love the internet and it has been incredibly useful and I have made discoveries that have been immeasurably crucial to my work- things I don’t know how I ever would have found out otherwise, that are perfect, just what I need for whatever I’m doing.
Any insistence on equal pay is crucial and any redefinition of work to include caregiving work so that it also has an economic value, at least at replacement level, that's crucial. So change does come from the bottom up, and it will come from girls and women and men who understand that for us all to be human beings instead of being grouped by gender is good for them, too.
I don't think there's a right or wrong things in your style. It's about how you clearly reflect who you are; how you more clearly tell the story. Who are you? How do you want to transmit that to the world, and how do you more clearly say that? Then I have a philosophy, FFPS: fit, fabric, proportion, and silhouette. Proportion's everything, really, knowing your body and understanding that. Those things have been really crucial for me. It's about being clear about the story you want to tell to the world about who you are - and maybe a little bit of FFPS.
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