A Quote by Joni Mitchell

Once I got the open tunings for some reason, I began to get the harmonic sophistication that I heard that my musical fountain inside was excited by. Once I got some interesting chords to play with, my writing began to come.
Once I turned 35, I got the bonus of some wisdom and began to accept life on its own terms.
I realized by using the high notes of the chords as a melodic line, and by the right harmonic progression, I could play what I heard inside me. That's when I was born.
I was aware that you weren't supposed to write about suburbia, that it was undignified in some way, the subject matter not momentous enough. And so, for a long time, that kept me from writing about it. But once I began, I realized it was just as interesting as anywhere else.
I once thought that if I could ask God one question, I would ask how the universe began, because once I knew that, all the rest is simply equations. But as I got older I became less concerned with how the universe began. Rather, I would want to know why he started the universe. For once I knew that answer, then I would know the purpose of my own life.
I think I always thought of the guitar as the vehicle to be able to make some musical idea up. The only appeal to learning more chords was having more chords to put into songs. I never got too wrapped up in becoming technically good. So writing songs happened pretty simultaneously with learning how to play the guitar.
I learned some chords and I started watching anybody I could, once I really got into it.
I got into alternative rock in the early 80s, bands like Husker Du and The Replacements. Bob Mould's playing was a huge influence. It was very heavy with a lot of open tunings, which was great because I played in trios, so I used open tunings to get a fuller sound.
When I was a kid and I'd be in trouble. I'd ask God to help me, and then once the fire was out, I wouldn't talk to Him anymore. When I got older, I began to find I needed some help spiritually, just to function.
I feel that when I began writing, I had a need to know more about the play before I got into it. I think that's the way I was thinking. But my actual experience is that the best way to find out what the structure is, is by writing the play out laterally. You just have got to be brave enough to start without knowing where you are going.
I was very lucky once I got started with a career. I happened to get some really good parts to play with some really good people to play with.
Once I got to high school and auditioned for a play and got in, I thought this was really what I was looking for. Once that had got cleared up, from 13 on, that was it.
and he began to understand what a wild game we play in life; he began to understand that a thing once done cannot be undone nor changed by saying "I am sorry!
When I first learned guitar - when I was 14 or 15 - I had an older cousin who showed me some stuff. And he was into all these tunings. He was showing me tunings that people like David Crosby or Neil Young used - like dropped D and open D tunings.
Once I got past my anger toward my mother, I began to excel in volleyball and modeling.
Once I got so worried because I had to hit my costar with a glass bottle that I began crying.
What began the change was the very writing itself. Let no one lightly set about such a work. Memory, once waked, will play the tyrant.
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